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...disturbing. I believe people in Hollywood care more about the honesty of their performances than they do about media stories on the films. Even if, with my Midwestern mentality, I am misled to believe in the integrity of those who make movies, I prefer to remain as I am. JOANNA J. CHENEY Milwaukee...

Author: /time Magazine | Title: Letters: Apr. 15, 2002 | 4/15/2002 | See Source »

...economist, Joanna, a demure Southern belle tired of waiting for her beau to propose, ditches him and decides to start her life as an independent woman with $45,000 in her pocket in exchange for her eggs. Her pushy friend Deborah decides to donate because she wants to go to Venice and egg donation seems to her a well-thought-out financial scheme. This leads to a hijacked ovary and to theses completed in Venice, along with other characteristically thrilling scenarios...

Author: By Mollie H. Chen, CRIMSON STAFF WRITER | Title: A Fertile Imagination | 3/7/2002 | See Source »

...choose our winners because they have made a lasting and significant contribution to the field of entertainment,” says HPT press manager Joanna S. B. O’Leary ’03,who is apparently already comfortable with hokey-sounding PR platitudes. The HPT executive board meets over the summer to consider which stars to honor. O’Leary, who is not directly involved in the selection process, does not detail the selection timeline but emphasizes that the executive board knows who is booked for Man and Woman of the Year well before the information...

Author: By G. L. Warmflash, CRIMSON STAFF WRITER | Title: Stargazing | 2/7/2002 | See Source »

Pudding spokesperson Joanna S.B. O’Leary ’03 said the theatrical group chose Parker and Willis because “they epitomized two very seasoned actors...

Author: By Anne K. Kofol, CRIMSON STAFF WRITER | Title: Pudding Taps Willis, Parker for Roast | 1/30/2002 | See Source »

...catalog for "Virtue and Beauty," the show of portraits of Renaissance women on view at the National Gallery of Art in Washington through Jan. 6, art historian Joanna Woods-Marsden poses a question that probably hasn't occurred to many people. We're used to seeing the human face photographed, drawn, scribbled and painted on movie and television screens, on billboards, in fact on a vast range of surfaces in our world, including the rock of Mount Rushmore. But suppose we weren't? Suppose that representations of real people were rarer than hens' teeth and that the only artificial faces...

Author: /time Magazine | Title: Art: When Beauty Was Virtue | 12/24/2001 | See Source »

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