Word: joans
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Dates: during 1950-1959
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...that reason the Earl of Warwick buys her from the Burgundians and insists that she must burn. But the pro-founder issue is that between Joan and her judges. In the trial scene she comes up against not only all the power of the church but all the power of the church's arguments. The grandeur of Shaw's trial rests less, in the end, on how brilliant it is than on how basic. It is the eternal clash -in politics, society, art no less than in religion-between the institution's claim to sovereignty...
...Saint Joan gains in stature because-rather uncharacteristically-Shaw stresses what is most valid on both sides rather than what is most vulnerable. He portrays Joan not as a defiantly heroic figure but as a truly mystical one, acting from compulsion rather than choice. He portrays the church less in terms of ethics than of authority, as possessing a sort of spiritual right of eminent domain. All this endows the trial scene with a particular dignity and affirmativeness, and with the right resounding orchestration. In the main, Shaw resists his usual mocking passages for flute or oboe, those sour...
Such sounds he reserves for the deliberately anticlimactic epilogue, when Joan's apparition, on a visit to earth, learns that she has at last been vindicated, and will in the end be canonized. "Now tell me," Joan asks amid the general rejoicing, "shall I . . . come back to you a living woman?" Horrified and appalled, her auditors can only mumble and fumble and slink away. It is a scene of lively Shavian comedy, but embedded in it is bitter realistic tragedy, an awareness that the Joans are glorified much less for being great than for being so conveniently dead...
...dramatic creation, Joan herself scarcely comes off. Shaw sought to make her real by making her realistic, by having her talk patois and slang and call the Dauphin "Charlie." But by making her so much like other people, he did not lessen her mystery; he merely weakened her magnetism...
Theatre Guild on the Air (Sun. 8:30 p.m., NBC). The Major and the Minor, with Ray Milland and Joan Fontaine...