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Word: joans (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...match Drake's buoyancy very well. Henry Calvin plays the Wazir of Police with a cheerful ghoulishness reminiscent of Fancourt's Mikado. In "Was I Wazir," with an accompaniment wisely lifted from Wonderful Town rather than In Central Asia,Calvin has one of the best bits in the show. Joan Diener, as the Wazir's crrant wife, is sultry and sarcastic, with a figure to please even the most myopic in the second balcony. With comic relish, she joins Drake in the slaughter of a smutty little horror called "Oasis of Delightful Imaginings" ("The breeze that cools the dunes there...

Author: By R. E. Oldenburg, | Title: Kismet | 10/24/1953 | See Source »

...comedy of situation rips wildly into farce, or a comedy of manners lurches hilariously toward madness. The play remains part of a fashionable tradition which slices its amusement as paper-thin as its sandwiches, and-for success-demands a special type of flawless acting. In London, with Robert Morley, Joan Tetzel and David Tomlinson, The Little Hut presumably had it; but on Broadway an uninspired cast makes for unamusing castaways...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Oct. 19, 1953 | 10/19/1953 | See Source »

...JOAN HARMANSON...

Author: /time Magazine | Title: Letters, Oct. 12, 1953 | 10/12/1953 | See Source »

...this play, as in Shaw's Saint Joan, a great religious institution sets worldly aims against spiritual ones, and renews-in very human terms-one of mankind's great moral debates. But here, unfortunately, the whole thing was handled in the style of an old-fashioned debating society. Everyone struck attitudes, the simplest idea seemed clad in armor, there was something too declamatory for talk, yet too stiff for eloquence. High-minded and literate, the play came off a stately bore...

Author: /time Magazine | Title: The Theater: New Shows in Manhattan, Oct. 12, 1953 | 10/12/1953 | See Source »

Torch Song (MGM) should make a lot of Joan Crawford's fans uncomfortable. Joan is miscast as a belligerent musi-comedy star who wears her heart on her fist; the fist is directed mainly at Michael Wilding. Fortunately, the camera decides most of the time that it is more fun to look at Actress Crawford's remarkable legs. Even this is an obvious mistake, for by reducing a performer of Joan's experience and hard-won skills to the cheesecake class, the picture stints her of the human qualities she has developed. Best scene: one in which...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 12, 1953 | 10/12/1953 | See Source »

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