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Word: joans (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...play, when it first turned up, was just "30 pages of unprintable dialogue." Another was a draft mailed in for criticism by a 19-year-old Lancashire girl. Yet each had all the racy, rowdy, down-to-life vitality that Producer-Director Joan Littlewood is forever seeking. After helping the authors to shape their work, she staged both plays-Brendan Behan's The Hostage and Shelagh Delaney's A Taste of Honey - in her small. 512-seat Theater Royal in the waterfront London slum district called Stratford East. Both won so much praise that they eventually moved from...

Author: /time Magazine | Title: THEATER ABROAD: Strasberg-on-Avon | 10/31/1960 | See Source »

...years Joan Littlewood's Theater Workshop has turned from a semi-impoverished repertory company into a money-coining enterprise. Wolf Manko-witz' Make Me an Offer, ex-Convict Frank Norman's Fings Ain't What They Used to Be, and five other Workshop plays have succeeded in the big time. None of this particularly impresses Joan Littlewood. who thinks that both the West End and Broadway are "contemptible as art and unsuccessful as business." Her avowed aim is "to break up the teacup theater...

Author: /time Magazine | Title: THEATER ABROAD: Strasberg-on-Avon | 10/31/1960 | See Source »

...Exuberance. In reaction to the gentle, polite, French-doors-and-tennis-rackets comedy that has long been the West End's mirror of English life, Joan Littlewood likes to fill her theater with the smell of cold porridge and soft coal. her stage with people of small means and great imagination. She likes her characters to rub hips with spivs, tarts, pansies and drunks, in whose vernacular a whore is a brass and a pimp is a ponce (one song in Fings Ain't What They Used to Be is called The Student Ponce). But while a Tennessee...

Author: /time Magazine | Title: THEATER ABROAD: Strasberg-on-Avon | 10/31/1960 | See Source »

...British people back on the stage, and the British people, of every variety, are filling the audience too. Long black Bentleys and Rolls-Royces of the Establishment quietly rubber into Stratford East every evening. But it is Joan Littlewood's proudest claim that two-thirds of the Workshop's audience come from within five miles of the playhouse...

Author: /time Magazine | Title: THEATER ABROAD: Strasberg-on-Avon | 10/31/1960 | See Source »

...Joan Baez will not be a great big seller. English ballads are pretty esoteric stuff to most buyers. But the record is of undeniable quality, and has some stunning moments. It proves what many have been mumbling into their coffee for some time: that Joan Baez can be, if she wants, the very best in her field...

Author: By John R. Adler, | Title: Joan Baez | 10/25/1960 | See Source »

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