Word: joans
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Dates: during 1960-1969
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...Duke of Spoleto, created for the 1962 Spoleto Festival, weighs 30 tons, looms 59 ft. high, and could only be assembled for the festival with the help of shipyard cranes in Genoa. Calder's first, more sylphlike stabile was created in 1931 when he was absorbing surrealism from Joan Miro and Jean Arp. From them he learned the art of expressing the forms of living things in the context and materials of the machine age. As the stabiles' dimensions have grown more mammoth, so have their artistic strength and lean, linear elegance...
Some of her work, like Bury Me in My Overalls, has become so charcoal-mellowed familiar that it is assumed to be true folk music. And of course she is a liberal and a ban-the-bomber. She wrote What Have They Done to the Rain, which Joan Baez and Pete Seeger have made into an international elegy...
...exhibit shows the variety of Max Ernst's works. "The Forest" (1926) and "Nature at Day-break" (1938), both oils rich and stifling in their intensity, are particularly striking. Joan Miro's bright colors and large simplified forms, distorted to his purposes, blossom in the famous "Person Throwing a Stone at a Bird" (1926), the large "Landscape" (1927), and another highpoint of the exhibition, "Portrait of a Lady...
Stephanie L. Krebs '65 and Winifred A. Shaw '65 are running for president of the RGA. Anne J. D'llarnoncourt '65 and Joan C. Martin '66 are running unopposed for the offices of vice-president and secretary, respectively. Beverly Winikoff '66 and Mary S. Miles '67 are candidates for the position of treasurer...
Whatever she wants, she seemingly gets, and the very persistence of the Caldwell approach was so intriguing that Joan Sutherland gladly gave up two weeks in the heart of the concert season to prepare for her U.S. stage debut in the role. Through artful cajolery and the promise of a creative hand in the production, Caldwell had both Sutherland and her husband, Richard Bonynge, working at double time. The results showed it: though normally a phlegmatic actress, Sutherland made Bellini's gloriously mad Elvira anguished and giddy, impish and frenzied, wild-eyed and playful. Showing a new command...