Word: joans
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Dates: during 1970-1979
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...enforcement of the law-and especially a jury verdict-is often affected by shifts in public opinion. In two successful murder defenses of recent years, feminists succeeded in "raising the consciousness" of the national public about the emotional problems of Southern black women in the Joan Little case and rape victims in the Inez Garcia trial. Now they hope to shift the spotlight to a Wisconsin trial and the battered-wife syndrome...
...cultivated surface at least--an unbounded propensity for cynicism. Whether this stems from truly eye-opening, hide-hardening experience or whether this is simply an immature attempt to appear worldly and sophisticated is questionable. One suspects it's a little of both. In any case, First Love, directed by Joan Darling--the person who brought us Mary Hartman, Mary Hartman--is probably too maudlin and sentimental to touch the hearts of many Harvard students. Most will guffaw rather than cry. The most blase will leave laughing at the film's triteness and superficiality, confident that they will never fall victim...
...Author Dunne, whose credits include Vegas: A Memoir of a Dark Season, The Studio, Delano and film scripts written with his wife, Novelist Joan Didion, Lois Fazenda is the hapless fly that jiggles a grotesque web of relationships. As Spellacy discovers, the path of the victim's life crisscrossed his own world of Irish-American Los Angeles just after World War II. It is a lively place where an archbishop plays weekly croquet with Samuel Goldwyn, a hard-luck punk goes to the gas chamber for kidnaping a girl on V-J day, and a leading Catholic contractor short...
...there cannot-and that is why Shaffer stalls his inevitable denouement by padding the film's doctor-patient scenes with flashbacks that detail Alan's past. Despite a nude appearance by Jenny Agutter and cameo performances by such fine actors as Colin Blakely, Joan Plowright, Harry Andrews and Eileen Atkins, Equus' digressions are little more than excuses to fetch popcorn...
Technically, The Trials of Brother Jero is rather simple. The one set, designed by Joan Ferenchak, furnishes a classic example of how to use the Mainstage's variable space to good advantage. The structure is simple--a wooden frame shack, covered with ostensible palm fronds, along with a similarly covered proscenium arch set off by blue backlighting; but when combined with the main acting area, a sand-covered expanse in front of Jero's home/church, the intended effect is achieved. No flashy techniques distinguish the lighting scheme. Another minor criticism can be directed at the music--the same fragment...