Word: joans
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Dates: during 1970-1979
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...natch." About her publicity-hating grandfather, Margaux is admiringly respectful, exulting: "Grandpa's spirit's in my marrow." But she prefers people to realize that it is Margaux, not Ernest, who is the big name today. She is even getting over her fear of competition. When Joan came to New York recently to promote the movie Rosebud, for which she had helped write the original novel, Margaux talked up Muffet's forthcoming cookbook, Picnic Gourmet, to the press...
Directed by ROBERT ALTMAN Screenplay by JOAN TEWKESBURY...
...synthetic mythology; a sweeping national certitude and the hypocrisy that comes with it. Altman is fearless in his thematic ambitions for Nashville, and it is a good measure of his success that the movie is always fleet and supple, never top-heavy. The director and his talented collaborator Joan Tewkesbury (who also did the screenplay for Altman's excellent Thieves Like Us) find their major metaphor right at the heart of the country music scene and the people who create all those tunes about broken hearts and long lonesome roads. One suspects that what attracted Altman and Tewkesbury...
Some 325 members strong, the Met flew to Japan for a three-week visit. The company brought along stars like Joan Sutherland, Marilyn Home, Adriana Maliponte, Luciano Pavarotti, Franco Corelli and John Alexander, and three of the most popular works in its repertory: Puccini's La Bohème, Bizet's Carmen and Verdi's La Traviata. The stand began with Traviata at Tokyo's 4,000-seat NHK (Nippon Hoso Kyokai, or Japan Broadcasting Corp.) Hall. With Soprano Sutherland dying rapturously as Violetta and Tenor Alexander showing a cad's remorse as Alfredo...
...Knew you couldn't get them together, even for a 25th reunion," says Joan Braverman Pinck, president of the Radcliffe student body in 1950 and now an assistant dean at the Business School. "It is a very individualistic group of people...