Search Details

Word: joans (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...daisies. Among the 200 mourners at Montparnasse Cemetery in Paris were her three ex-husbands. So ended last week the tragic story of Actress Jean Seberg, who was plucked out of obscurity as a 17-year-old Iowan to star in Otto Preminger's 1957 movie Saint Joan, and who died at age 40 in the back seat of her car of an overdose of barbiturates. But even as she was buried, there unfolded in the U.S. an appalling account of how the FBI in 1970 tried to ruin her reputation with a planted rumor, setting in motion...

Author: /time Magazine | Title: Nation: The FBI vs. Jean Seberg | 9/24/1979 | See Source »

...said to be a rather prominent Black Panther." Other details in Haber's column made it clear that she was referring to Seberg, who had moved to Paris in 1958 and become a star in French New Wave films such as Breathless after her amateurish performance in Saint Joan made her name a synonym for miscasting in the U.S. The report was picked up by Newsweek, a French publication, Minute, and American Weekly, a former Hearst newspaper supplement. Soon after reading the account, Seberg, who by then was seven months pregnant, went into labor and three days later gave...

Author: /time Magazine | Title: Nation: The FBI vs. Jean Seberg | 9/24/1979 | See Source »

...other tenor in modern times has hit the opera world with such seismic force. At 6 ft. and nearly 300 lbs., "Big P," as Soprano Joan Sutherland calls him, is more than lifesize, as is everything about him?ins clarion high Cs, his fees of $8,000 per night for an opera and $20,000 for a recital, his Rabelaisian zest for food and fun. "He is not primo tenore, " says San Francisco Opera General Director Kurt Herbert Adler. "He is primissimo tenore...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

...when he was 27, he got a job as stand-by for Giuseppe di Stefano in a Covent Garden production of La Bohème and sang several performances. Conductor Richard Bonynge heard him and was "bowled over." Eventually, Pavarotti found himself singing with Bonynge's wife, Joan Sutherland, in a Miami production of Lucia di Lammermoor. To Sutherland's skeptical eye, this strapping unknown looked like "a big schoolboy." But to her ear? "Well, it was absolutely phenomenal ? the fabulous resonance, the shading, such range, such security." The Bonynges signed him up for a 14-week tour of Australia...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

...opera. Says he: "I used to listen to her and think, how is it possible that this woman's notes never seem to end? How does she produce this endless chain of sound? I gradually realized it was her breathing. " Says Bonynge: "He was always getting hold of Joan around the middle and feeling her muscles. He wanted to figure out how her diaphragm worked. Especially in her placement of high notes, he was able to understand what she did and transfer her way of doing it to himself...

Author: /time Magazine | Title: Opera's Golden Tenor | 9/24/1979 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | Next