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...done an excellent job of showing and analyzing the ways in which illusion, the act of making marks that get read as "real," acts in his painting. No illusion, no Dali. This isn't true of other surrealists, or painters who went through a surrealist phase, like Joan Miro. But Dali's effort to make dreams concrete, to lead the viewer into a state of radical doubt about the supposedly fixed nature of reality, is the entire key to his art. And without the most obsessive and paralyzing exactness of detail, it couldn't have worked. Either you believe that...

Author: /time Magazine | Title: Art: The Two Faces Of Dali | 3/13/2000 | See Source »

...voted for Gore, because Bradley is a lost cause," said Joan McHammond of Manhattan...

Author: By Jonathan F. Taylor, CRIMSON STAFF WRITER | Title: Students Rock Cambridge Vote | 3/8/2000 | See Source »

...DEFENDANT] JOAN COLLINS...

Author: /time Magazine | Title: Tracks Of Their Tears | 2/28/2000 | See Source »

...actors in a production approach individual members of the audience during the production--to surprise the audience with the fact that they can be observed--might just work. This is exactly the technique used by the Institute for Advanced Theater Training in their production of Bertolt Brecht's St. Joan of the Stockyards three weeks ago in the Loeb Ex, and it works wonders. To feel sympathy for a beggar on the stage and then have that beggar approach you to ask for money forces you to acknowledge your own feelings. To feel compassion for the central villain...

Author: By David Kornhaber, CRIMSON STAFF WRITER | Title: Death of the Audience | 2/18/2000 | See Source »

Marvin Kalb, executive director of the Washington office of the University's Joan Shorenstein Center on the Press, Politics and Public Policy, hosted the gathering of about 10 reporters...

Author: By Vasugi V. Ganeshananthan, CRIMSON STAFF WRITER | Title: Vice President Meets with Media | 2/10/2000 | See Source »

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