Word: joans
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...together under one roof? What subject is so vital that BARBARA TAYLOR BRADFORD and TAMA JANOWITZ both want to hold forth on it? The future of Diana, Princess of Wales, naturally. Romance Classics, a new TV channel, gathered (clockwise from top left) JACKIE COLLINS, Bradford, ERICA JONG, JOAN RIVERS, NANCY FRIDAY, Janowitz, OLIVIA GOLDSMITH and RONA JAFFE to plot a sequel to the sensational epic that has been Diana's first marriage. Suggestions included Diana's having her own talk show ("A listening show," said Goldsmith, who would also like to see Diana in a follow-up to The First...
...Alternative rock has become Top 40 rock," says Jason Markey, an artists' representative for Arista Records. "Top 40 rock has always been disposable, and that's where alternative rock is now leaning." David Sonenberg, who manages the Fugees, Joan Osborne and other music acts, says too many record companies have signed too many one-hit alternative acts and thus diluted the quality of the genre (it's an old musical story--just see Tom Hanks' period comedy on the subject, That Thing You Do). "With a lot of the music, it's hard to distinguish one band from another," complains...
...love with Anita (Joely Richardson) and Perdita. They hold a double wedding and soon Perdita gives birth to 15 Dalmatian puppies. Daniels and Richardson play these potentially corny scenes with deadpan sincerity, making the parallels between canine and human love amusing rather than insipid. The always-reliable and lovable Joan Plowright also appears as the couple's nanny...
...battle of a simple country girl against a phalanx of church elders, the debate of passion vs. propriety, the close-ups of so many stern faces and one shining one--all this calls to mind The Passion of Joan of Arc, the 1928 silent masterpiece by another Dane, Carl Dreyer. Von Trier's film isn't in that class, but he gets points for wild ambition. Like Bess, the writer-director has undergone a conversion. His early pictures, Element of Crime and Zentropa, were wondrously busy examples of cinematic Euroflash; here he goes for sweeping visual sentiment. He wants...
...performance that makes the movie, Watson is as dominating as Falconetti was playing Joan of Arc. Watson works her eyes and lips coquettishly, tirelessly, with an ardor rarely seen since Lillian Gish and the other white roses of the silents. She goes pop-eyed with awe at her beau's manhood; every word she speaks is an open-mouthed kiss. She acts volcanically, as any heart does when it pumps with love. She is pure emotion, naked, shameless, unmediated by discretion. These aren't attitudes of passion; this is the genuine article, take it or leave it. Even with...