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Initially the three narrators are leading separate lives, yet it soon becomes clear that their three paths intersect through the events of a mysterious unsolved robbery and an elusive woman named Joan Rosen Klein. Each protagonist is searching for something related to both Ms. Klein and the crime, a search that carries them all down a communal path of violence, hatred, and destruction. Ellroy’s is a well-crafted foray into the dark-side of America, but the author’s attempt at absolute historic totality hinders the novels complete success. Ellroy’s desire...

Author: By Heather D. Michaels, CONTRIBUTING WRITER | Title: 'Rover' Runs Red, if Overlong | 10/30/2009 | See Source »

...pulp literature—a genre whose mandate is one of instant gratification. But at 640 pages, Ellroy’s latest dwells too often and for too long on aspects of the plot that, for their sheer monotony, never seem important. The truth behind the robbery and Joan Klein’s identity are both revealed so slowly that the value of surprise is squandered. None of the three protagonists are ever completely invested in the novel’s seeming climax, rendering much of the book’s attention to plot somewhat irrelevant. One passage exemplifies Crutchfield?...

Author: By Heather D. Michaels, CONTRIBUTING WRITER | Title: 'Rover' Runs Red, if Overlong | 10/30/2009 | See Source »

...Ellroy’s distinctive style—the brief, spare syntax reminiscent of hardboiled detective fiction—sets a dark tone for the novel and lends itself to this retelling of history. Yet, while the history is interesting, the unfolding of the mystery of the robbery and Joan Klein dictates the pace of the novel, and there Ellroy falls short...

Author: By Heather D. Michaels, CONTRIBUTING WRITER | Title: 'Rover' Runs Red, if Overlong | 10/30/2009 | See Source »

...every night, seven days a week). It has been a musical institution for over 50 years, since its start as Club 47 in 1958. The venue secured a place in America’s cultural history as an epicenter of the folk movement in the 60s, hosting legends like Joan Baez, like Joni Mitchell, like Tom Rush, Judy Collins, Suzanne Vega, and Bob Dylan...

Author: By Emily C. Graff, CRIMSON STAFF WRITER | Title: A Detour in Harvard Square | 10/29/2009 | See Source »

While “the institution of the newspaper” deserves to be preserved in some form, said Alex S. Jones, Director of Harvard’s Joan Shorenstein Center on the Press, Politics, and Public Policy, it needs to find a “sweet spot” that balances circulation and advertising with an online presence featuring content that engages its readership...

Author: By JOANNE S. WONG, CONTRIBUTING WRITER | Title: Journalists Discuss the Future of Media | 10/28/2009 | See Source »

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