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...many, the road to the market is bumpier than expected. Consider the case of Joan Allen, 51, a free-lance television producer in Baltimore, Md., who decided to sell her popular dense, mousselike brownies after her job opportunities were severely curtailed during the post-9/11 recession. Faced with creating her brownie large-batch formula, she quickly discovered that she didn't have the slightest clue about how to work with commercial-grade liquid eggs. After that, two arrangements for using commercial kitchens eventually fell apart before she entered into her current agreement with Louise's Bakery in Baltimore...

Author: /time Magazine | Title: Foodies Gone Wild | 4/26/2004 | See Source »

...Post spent most of its double-bill review riffing on a BBC editor’s recently-published memoir.) Embedded has not been a blockbusting bestseller, but after bringing Carlson and co-author Bill Katovsky a Goldsmith Book Prize from the Kennedy School of Government’s Joan Shorenstein Center on the Press, Politics and Public Policy last month, the book is poised to bring the man who once eluded police to get The Crimson and Life magazine photographs of a campus under siege back to the national stage...

Author: By Simon W. Vozick-levinson, CRIMSON STAFF WRITER | Title: Embedded With the Embeds | 4/16/2004 | See Source »

...just received a promotion over a man at her job with a career placement agency in London.  Her guests are five women from the past:  Isabella Bird (Adele Jerista), the world traveler, Lady Nijo (Scottie Thompson), a former courtesan in the Japanese court, Pope Joan (Emma Firestone ’05), the only woman to ever hold the papal office, Dull Gret (Emily J. Carmichael ’04), the subject of a Bruegel painting, and Patient Griselda (Sarah E. Curtis ’05), the obedient wife from Chaucer’s Canterbury Tales...

Author: By Mildred M. Yuan, ON THEATER | Title: ‘Girls’ Tales Intrigue | 4/12/2004 | See Source »

...Thompson at times were guilty of overacting in the first act during their fight for prominence. Carmichael’s presence was a welcome one in her ability to express physically what the others seemed to have difficulty with on a verbal level.  Firestone’s Joan was tastefully well done—the entire theatre came to a standstill as she described the details of an unexpected childbirth and subsequent death with an eerie calm...

Author: By Mildred M. Yuan, ON THEATER | Title: ‘Girls’ Tales Intrigue | 4/12/2004 | See Source »

...star look mummy-like. Ken Diaz, makeup boss for the PBS series American Family, which is filmed in HDTV, waters down his bases. "It's a wash of color, like a stain, rather than a pigment," he says. Lori Madrigal, chief makeup artist for CBS's HD hit Joan of Arcadia, concedes that she no longer uses lip gloss on actresses. "Gloss looks like oil in high def," she says...

Author: /time Magazine | Title: For TV Stars, High Def Is Dicey | 4/12/2004 | See Source »

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