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...subject, but the film appears to have been the victim of an editorial chain-saw massacre. Whatever the executive reasons for reducing its three-hour running time to just over two may have been, considerations of dramatic coherence cannot have numbered high among them. The female lead (Jobeth Williams) dies offscreen, her passing noted in just a line or two of dialogue. Another major character, a farmer and family man (John Cullum), gets shot by squatters, and his widowed wife and orphaned children react only by turning toward the sound of the gun. Charac ters tumble in and out like...

Author: /time Magazine | Title: Video: The Nightmare Comes Home | 10/24/1983 | See Source »

...disgusting curse of being a good girl" and had an affair with Alex. Sam (Tom Berenger), once a Movement rhetorician, went to Hollywood and became the macho private eye in a hit TV series, which one of his pals describes as "a sitcom with a machete." Karen (JoBeth Williams), who used to be a closet poet, is now the restless wife of an ad executive. Michael (Jeff Goldblum) made Alex famous by writing about him in the Michigan Daily; now he profiles 14-year-old blind baton twirlers for PEOPLE and tries vainly to assign himself a story...

Author: /time Magazine | Title: Cinema: You Get What You Need | 9/12/1983 | See Source »

...girlfriend, a decade younger and more limber, monitoring the action with eyes that have seen it all and ain't telling. You have to make eye contact with this wonderful ensemble of actors; the pregnant or averted glances they exchange constitute a geometry of tangled passions. JoBeth Williams can say more by directing her big sad eyes off-screen than volumes of Emily Dickinson; in Mary Kay Place's squint is the weather-beaten humor of a career woman who wants an emergency jolt of motherhood; William Hurt's eyes move like restless laser beams; Tom Berenger...

Author: /time Magazine | Title: Cinema: You Get What You Need | 9/12/1983 | See Source »

Poltergeist. The hell-mouth side of Spielberg's suburban diptych: vengeful spirits drive a middle-class family beyond bananas. The film delivers honest special-effects shocks without forfeiting its good nature. Under Tobe Hooper's direction Jobeth Williams and Craig T. Nelson shine as the dogged mom and the heroic-in-spite-of-himself...

Author: /time Magazine | Title: Cinema: The BEST OF 1982: Cinema | 1/3/1983 | See Source »

...more than three people to keep their mouths shut is bound to fail, this premise will seem far fetched. For as the story develops, we see that hundreds are involved in running the research complex. Nevertheless, the picture is stylishly made and suspenseful, with the distinct advantage of having JoBeth Williams (the mom in Poltergeist) as a sheriff investigating the killings aided by a burnt-out New York City detective (Robert Urich, TV's Dan Tanna). She's spunky and believable, and she can make you care about her professional problems, her sputtery love life and - almost...

Author: /time Magazine | Title: Cinema: Legitimate Beef | 10/11/1982 | See Source »

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