Word: jobs
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Dates: during 1980-1989
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...abilities are underestimated. And he's not working a rebel image, which is associated with being a good actor." But he does have the image, in the films that made him famous, of an intense young man with a mission: the total workhorse, the ultimate party animal. His job -- flying planes, shooting pool, mixing drinks -- is his life. And he is vulnerable as well as volatile. His thin, high voice helps him here: it locates a little boy lost in the clouds of bravado. Moviegoers may also like what they see in Cruise the man: a dedicated actor, utterly absorbed...
...Endless Love (1981) and The Outsiders (1982), Cruise had the chance to scope out his competition: Matt Dillon, Rob Lowe, Ralph Macchio, James Spader, Patrick Swayze, Emilio Estevez, C. Thomas Howell. Usually boy toys come and go without attracting much more than vagrant pubescent lust. There is little job security in being this week's pinup on the bedroom wall of American girlhood...
...most awkwardly protracted job opening of 1989. On the last day of November, after two years of trying unsuccessfully to boost the network's sagging ratings, CBS Entertainment president Kim LeMasters resigned. His departure was not unexpected, but CBS's delay in naming a successor was. For a time the network dickered with Marcy Carsey and Tom Werner, producers of The Cosby Show and Roseanne, but negotiations fell through. Finally, late last week, the network completed a deal with Jeff Sagansky, 37, a former NBC program executive who heads Tri-Star Pictures, which produced this fall's hit movie Look...
...audience that has grown rather jaded. "You cannot anymore launch shows that simply repeat yesterday's viewing patterns," says Stringer. "That's something we learned the hard way this year." Any other lessons will have to be learned quickly by Sagansky, the man about to fill the toughest job in network television...
...stay in touch with the "spirit and poetry of the natural world." Maintaining a primal connection to the environment is essential to McGuane, for both his peace of mind and his work. "I feel strongly that writers need to be some place," he says. "The real thing, the real job of artists of any kind is to somehow seize the life you're having in an unrelinquishing grip." McGuane is sure to continue doing exactly that. But, just in case, he keeps his epitaph handy. His eyes gleam with mischief as he repeats it: "No stone unturned -- except this...