Word: jocelyne
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...text, judging by the five representatives featured in the 19th Lois Foster Exhibition of Boston Area Artists. The artists are obsessed with materialism-teddy bears, floppy bunny rabbits, handkerchiefs, dresses, shirt pockets and other everyday objects take on a tremendous theoretical burden. Artists Yukiko Nakamura, Colleen Kiely, Juliann Cydylo, Jocelyn Lee and Amy Podmore expect us to appreciate all the tired old postmodern themes, like the redefinition of gender through art and the importance of objects in defining identity...
...photography, we get more of the sorts of images of girls growing up too fast and women wizened too young that already saturate the art world. This didn't stop the curators from including Jocelyn Lee's work. The standard little girl wearing make-up, complete with dyed hair and a bikini, is by now tired and almost traditional. Lee presents nothing new; in fact, her contorted fruit photographs aren't even grotesque, but simply run-of-the-mill. She wishes for a contorted crab apple to signify the state of humanity in the modern world, beauty destroyed by convention...
...Erica P. Rabbit Corilee K.A. Racela Kristen E. Radcliff Elizabeth A. Raizes Adam J. Rambert Courtney D. Rein Sara D. Reistad-Long Philip B. Renton Jed I. Resnick John T. Reuland Spencer G. Rhodes Sharifa Rhodes-Pitts Emily A. Rippe Paula C. Ro Ann S. Robinson Julie A. Roden Jocelyn M. Rodgers Elizabeth H. Roemer Nicholas W. Rose Eric S. Rosen Laura E. Rosenbaum Brian J. Rosenthal David E. Rosow Caroline A. Rothert Marina B. Rubin Roee E. Rubinstein Ismail G. Ruiz Robyn Sackeyfio Daniel K. Salomon Saloni K. Saraiya Claudio A. Sauer Maureen K. Schad Kristi L. Schaeffer Ryan...
...squad will lose essential team members Jocelyn Ludwick, Swain and Deveney, its current tri-captains. The triumvirate will be sorely missed, but the team hopes to fill in the gaps of their absence with strong incoming freshmen...
Schnitzler's fascinating account of an opulent palace of sex and mirthful ritual has been turned into much the opposite. True, most critics and fans have raved about Jocelyn Pook's spooky score, the beautiful costuming, the fantastic lighting and the haunting ceremony. The problem, however, is that Kubrick's vision misinterprets Schnitzler's theme: That sex is so deceptive and dangerous because it involves a playout of fantasy. That reality only kicks in once sex is over. Yet, in Kubrick's orgy scene, the mood is menacing from the outset. This isn't erotic sex--this is a museum...