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Word: joes (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...year.* And most companies will indeed compel executives to retire at 65. Their stated and valid reason is that new blood and new ideas are especially vital at the top. An unspoken but powerful reason is that every board member dreads telling a 65-year-old chairman: "Joe, you just can't cut it any more." It is much easier to say: "Joe, we would love to keep you, but a policy is a policy...

Author: /time Magazine | Title: Business: Lucking Out on Later Retirement | 1/15/1979 | See Source »

...Joe Bertagna's squad jumped off to a 2-0 lead in the first stanza on goals by Alice Hill, who put the puck past her sister Jessie to open the scoring, and Firkins Reed...

Author: By Jim Hershberg, | Title: Icewomen Win As Fischer Nets Hat | 1/15/1979 | See Source »

...February 4 at Walter Brown...One more Ivy game remains, at home against Yale on Feb. 10, before the Crimson travels down to Providence for the league tournament Feb. 23-24...As usual, the Crimson has relied on a small offensive nucleus to get on the scoreboard. But coach Joe Bertagna credited the entire squad with across the board improvement after Wednesday's win against Dartmouth: "Everyone is contributing, and we're playing much better positional hockey than before...

Author: By Jim Hershberg, | Title: Icewomen Win As Fischer Nets Hat | 1/15/1979 | See Source »

...into a swinging stride figure, then covers a couple of choruses in classic cabaret-style piano. The moment is totally unexpected, and it inspires an otherwise weak composition. The big-band funk of "Musicmagic" becomes a vehicle for extended solo exchanges--Corea duels with Clarke's hard rocking bass, Joe Farrell's jazzy reed lines, and workhorse Gerry Brown's polyrhythmic drums...

Author: By Paul Davison, | Title: Lost In Eternity | 1/15/1979 | See Source »

...next three sides highlight individual performances. Gayle Moran's rendition of "Come Rain or Come Shine" falls flat--she should know enough to stay away from such a gutsy jazz singer's standard. Serenade features Joe Farrell's tenor sax, an undersung quantity if there ever was one. Stanley Clarke performs a lengthy acoustic bass solo that is more a technical coup than a creative improvisation. His sheer enthusiasm makes the cut listenable despite serious intonation problems. Corea begins the show's finale with a 17 minute piano solo. His playing is so damned interesting that he very nearly carries...

Author: By Paul Davison, | Title: Lost In Eternity | 1/15/1979 | See Source »

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