Search Details

Word: joes (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...other fields. Architect David Rockwell, designer of the Nobu restaurants in Manhattan and the set of the musical Hairspray, says skate parks, with their use of "the continuous ramp that leads you through a series of adventures," were an inspiration for a new playground he's working on. Joe Ragsdale, who teaches landscape architecture at California Polytechnic in San Luis Obispo, says that every year his students come up with different ways to provide ideal flight paths for intrepid skaters. "Skate parks have come of age," he says...

Author: /time Magazine | Title: It's All in the Swoop | 7/30/2006 | See Source »

...ganefs in Desperate and Railroaded! have no past to haunt them. The present is spooky enough. Like their movies, they exist in the now. They are what they do, and what is done to them: existential unheroes. Only rarely do they blame society for their scrappy status, as Joe does in Raw Deal: "And if you want to know what happened to that kid with the medal - he had to hock it at 16. He got hungry." The war, the defining event of the '40s, may be a given, but it's not expressed. What is explicit is the violence...

Author: /time Magazine | Title: The Best Mann | 7/28/2006 | See Source »

...Jury, was published that year), so they explode on the screen in Railroaded! In Mann movies, the broken bottle, not the gun, is the favored weapon of menace, perhaps because it's more sickeningly intimate. John Ireland, the film's primary thug, breaks a bottle and comes after Joe. Raymond Burr, Mann's inspired (and quite literal) notion of a heavy, had used one in Desperate, and he does it again in Railroaded!, breaking a bottle over Joe...

Author: /time Magazine | Title: The Best Mann | 7/28/2006 | See Source »

...most. He shot even the sitting figures from below, with the tops of rooms pressing down on them; he loved ceiling shots more than Japanese tourists in the Sistine Chapel. This perspective not only enhanced a doomsday mood, it kept the costs down on low-budget productions. According to Joe Cohn, his boss at MGM, Alton "saved a lot of time by lighting only from the floor...

Author: /time Magazine | Title: The Best Mann | 7/28/2006 | See Source »

...Joe is a great guy who helped research the book and he was the first person to tell me about [Essembly]; he wasn’t the first to tell me about social networking,” Fournier wrote in an e-mail...

Author: By Katherine M. Gray, CRIMSON STAFF WRITER | Title: Two Social Sites Emerge From IOP | 7/28/2006 | See Source »

Previous | 344 | 345 | 346 | 347 | 348 | 349 | 350 | 351 | 352 | 353 | 354 | 355 | 356 | 357 | 358 | 359 | 360 | 361 | 362 | 363 | 364 | Next