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Word: johan (lookup in dictionary) (lookup stats)
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Anna's picture of life on Haugsetvolden is colorful between grim scenes of starvation and cold. Eccentric rustics, of a sort peculiar to rural isolation, make up her little family. Old-Johan, the farmer's half-brother, almost dies of a snake bite that he is too reclusive to mention. A simple woman named Jenny destroys Anna's cabin when she takes seriously someone's joke that "it ought to be burned down...

Author: By Robert W. Keefer, | Title: A Twentieth Century Slave | 4/17/1975 | See Source »

Solee said that the loss of Johan Akerman, last year's top Engineer foil man, hurt his team badly. Akerman, the 1974 Intercollegiate Fencing Association foil champ, was drafted into the Swedish army last summer...

Author: By Steven M. Heller, | Title: Harvard Fencers Thrash Feeble MIT Squad, 18-9, For First Win of Season | 12/5/1974 | See Source »

...petty, inchoate sexual relations of a sexually and politically unequal society. Bergman has never isolated these passions before. For the past two decades the characters in his movies have been searching for something beyond middle-class love--thus the brooding solemnity of so many of them--but Marianne and Johan can envision nothing more. Scenes From A Marriage is closer to more of life for more of us, so its little nips of recognition are more frequent and less profound than in Bergman's other movies: thus the frequent claim, already made by both critics and promoters, that...

Author: By Richard Shepro, | Title: A Constant Snuggle | 11/26/1974 | See Source »

...most on end about ourselves. A look at the published screenplay makes it harder to see why this should be. The book's dialogue is filled with petty details that never add up to reasons to act, terrors are pointed out in the stage directions, but except when Johan first leaves Marianne the passions are too strong for what's happening. The screenplay seems just good enough to make small, slippery claims on the audience's emotion; of course, it does much more. Partly, this happens because of the unusual rapport between Bergman and his actors, particularly Liv Ullman...

Author: By Richard Shepro, | Title: A Constant Snuggle | 11/26/1974 | See Source »

ENDING OUR MARRIAGES makes us reborn, Bergman seems to say, and he may be edging near the truth. The marriage he shows came from a social base where everything worked against it, and the new lives of the reawakened partners seem no more fulfilling. But if Marianne and Johan have even a slightly better idea of what went wrong, they may pass on that little bit of wisdom--speeding the apocalyptic day when love won't conquer anyone but will make peace with all, in an age of sense and reason and sexual equality. But it's not even clear...

Author: By Richard Shepro, | Title: A Constant Snuggle | 11/26/1974 | See Source »

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