Word: johann
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...shorter works which filled out the program, a sonata by Johann Christian Bach, and Hinde mith's Sonate (1938) were delightful and superbly performed. At first hearing, the Hindemith revealed a compression of structure in which a few, simple ideas receives coherent, sometimes fascinating development, though within quite limited terms...
Richard or Johann? For three-quarters of the evening, it was impossible to tell that the words were in English (in a translation by John Gutman), but it hardly mattered, because most of the conversation that came through was a bore. Rolf Gérard's scenery, on the other hand, was both attractive and understandable: the vast gold and white ballroom in the second act had beautifully costumed couples waltzing in the background, and the third act's red-plush hotel lobby was an atmospheric masterpiece...
Arabella is basically an old-fashioned Viennese operetta-the sort that Johann Strauss really did much better than Richard†-without the courage of its corn. In Arabella, the waltz and schmaltz have been refined and intellectualized. Composer Strauss wrote this score in the tragically arid last third of his life, and he filled it with hints and quotations reflecting other works. His hand had lost none of its craft, and all the score lacks is inspiration. The Met postured prettily in its new hat; actually, Arabella was just an old toque...
...most talented of the musical Bachs, Johann Sebastian, entertains the connoisseurs in Music 126, held in Music Building 2. Assistant Professor Allen Sapp is disc jockey...
Strauss: Wiener Blut (Elisabeth Schwarzkopf, Erich Kunz, Emmy Loose, Nicolai Gedda; Philharmonia Orchestra and Chorus under Otto Ackermann; Angel, 3 sides of 2 LPs). Not so grand a ball as Die Fledermaus, Johann Strauss's masterpiece, this operetta is slighter but in spots even more delightful. A composite of Strauss music not originally written for the stage, the score is full of surprises: when sung, some of the waltzes and polkas take on a warbling charm they do not have as orchestra pieces alone. The libretto is preposterous, but offers linguists an unusually rich sampling of Viennese slang...