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...Johann Brahms...

Author: NO WRITER ATTRIBUTED | Title: Art on Campus | 3/3/1989 | See Source »

...hard pressed to find much public recognition of their contemporaries in painting. There is Caspar David Friedrich, the darling of the art historians, with his cloaked and silent watchers, his chilly crags and moonstruck ships. But Philipp Otto Runge? Carl Gustav Carus? Franz Pforr and Julius Schnorr von Carolsfeld? Johann Overbeck? Franz Horny or Adrian Zingg? Not household names, exactly -- yet interesting and sometimes remarkable artists, all the same. Hence the Morgan's show fills a distinct gap. None of the drawings and watercolors in it have been seen in America before; they are all lent from two great collections...

Author: /time Magazine | Title: Art:German Romantic Drawings, Tracing God's Fingerprint | 1/23/1989 | See Source »

...browse through this show is to be vividly reminded of the continuities in the past two centuries of German art. Some are not altogether welcome. That gentle, scholarly neoclassicist Johann Tischbein, the friend and portraitist of Goethe, would have been aghast to see what German state culture in the 1930s got up to -- and yet the first item in this show, his elaborate drawing entitled The Power of Man, 1786, showing a hunter and his young companion on horseback dragging home the carcasses of a lion and a huge eagle, predicts many of the elements of Nazi classicism...

Author: /time Magazine | Title: Art:German Romantic Drawings, Tracing God's Fingerprint | 1/23/1989 | See Source »

...worthy cause. What, after all, is the American musical but a transatlantic cousin of the Viennese operetta whose patrimony also includes the harmonic and rhythmic vitality of jazz? The line from Johann Strauss and Franz Lehar to Frederick Loewe and Richard Rodgers is really very short. Far from being an exotic and irrational entertainment, opera is the most vital and popular of musical forms. Is Mozart's The Magic Flute, composed in the vernacular for the Viennese commercial theater, stuffy high art just because it is 200 years old and occasionally performed at the Met? That would be news...

Author: /time Magazine | Title: Here Comes the Show Boat! Broadway musical? Or opera in disguise? | 11/7/1988 | See Source »

...weeks the scientific rumor mills had anticipated the winners of the chemistry prize. So when Robert Huber, the managing director of the Max Planck Institute for Biochemistry near Munich, received his telephone call from Sweden, the champagne was readily at hand. Huber, 51, and fellow West Germans Johann Deisenhofer, 45, and Hartmut Michel, 40, were recognized for revealing the "atom by atom" structure of the molecule at the heart of photosynthesis, the process by which sunlight is converted into the chemical energy that fuels plant and animal life...

Author: /time Magazine | Title: Nobel Prizes: Tales Of Patience and Triumph | 10/31/1988 | See Source »

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