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...opening Concerto by Johann Pfeiffer typified the entire program. Written for piano, cello, and two violins, this work has no high spots, low spots, or anything else to make it at all memorable. The Collegium's performance was unusual because of the piano it used--an authentic instrument made by Andreas Stein in 1790. Its tone midway between a harpsichord and a modern piano, was subdued and refined--well suited to the music. Erwin Bodky played smothly and sympathetically, much better than he had done on the harpsichord in weeks past...

Author: By Lawrence R. Casler, | Title: The Music Box | 11/21/1951 | See Source »

...Last week, Germany got a second: Jewish Sociologist Max Horkheimer, who was elected rector of Frankfurt's Johann Wolfgang Goethe University. In 1933 the Nazis drove Horkheimer from the country, closed the famed Institute for Social Research which he had founded. This week, Rector Horkheimer, now a U.S. citizen, will have the pleasure of seeing his institute opened again...

Author: /time Magazine | Title: Education: Yank at Bonn | 11/19/1951 | See Source »

...cast made up for its lack of experience by singing and acting with even greater vitality than the regular performers. Even the chorus and dancers contributed to the Sparkling-Burgundy effect which Johann Strauss' incomparable music created. Only two of the leads (Brenda Lewis and Donald Dame) possess really outstanding voices. Miss Lewis has all the vocal and physical equipment for an effective portrayal of the voluptuous Rosalinda. Her performance would have been flawless were it not for her careless enunciation, and perhaps this will be remedied as she grows accustomed to the acoustics in the Opera House...

Author: By Lawrence R. Casler, | Title: The Music Box | 10/10/1951 | See Source »

After two years of Haydn-go-seek, H. C. Robbins Landon, one of the society's founders, writes in the Saturday Review of Literature: "It is (unfortunately) more profitable today to issue a symphony on records under Haydn's name than under the correct title of [say] Johann Rasper Ferdinand Gluggl, and it was just as profitable for an 18th Century publisher to follow this same course...

Author: /time Magazine | Title: Music: Take Away 50 | 9/3/1951 | See Source »

...prolific record maker. In Music Ho! (subtitled "A Study of Music in Decline") he took a gloomy view of most modern music, blasted Stravinsky, Hindemith and Schoenberg and derided "musical snobs" who failed to realize that Duke Ellington wrote "the most distinguished popular music since Johann Strauss...

Author: /time Magazine | Title: Milestones, Sep. 3, 1951 | 9/3/1951 | See Source »

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