Word: johannes
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President of the 15-member Organ Society at Harvard, Forger has been playing for about 10 years, expanding his range on organs everywhere from inner-city meeting houses to Johann Bach's home church in Germany...
Nobody, that is, except thousands of waltz-happy PBS viewers. Rieu's concert videos, in which he and his 26-piece Johann Strauss Orchestra are seen playing for delirious throngs of European fans, have become a staple of public-TV pledge-drive programming. Last year The Vienna I Love came in right behind Riverdance in viewer popularity. The telecasts not only bring in money for local PBS affiliates, they also promote Rieu's CDs. When he visited the U.S. in August to work the phones at stations across the country, his on-camera appearances helped lift Vienna into Billboard...
Rieu is hardly the first musician to fill concert halls by playing Viennese waltzes and polkas. Johann Strauss II composed On the Beautiful Blue Danube and dozens of other classic waltzes for his own touring orchestra, which he led while simultaneously playing the violin (a practice emulated by Rieu); countless other purveyors of light classical music have flourished since. What sets Rieu apart is timing. Today's conductors and soloists, however gifted, mostly lack the charisma of the previous generations of classical-music giants such as Leonard Bernstein and Vladimir Horowitz, and they have largely failed to capture the imagination...
...performance produced ample evidence of the artistry behind the fame and of their notoriety in classical music circles. The concert consisted of three wood-wind concertos, a Flute Concerto in G by Johann Joachim Quantz, a concerto for bassoon and orchestra called The Five Sacred Trees by Williams and the Pied Piper Fantasy by John Corigliano. A small highlighted paragraph in the program booklet introduced this program as an experiment in concerto styles, setting forth the traditional three-movement Quantz concerto as a "control" for the more contemporary programmatic styles of the last two concertos. Even in this small paragraph...
...opening scene of the ART's latest production, a boorish captain implores his barber-orderly, Johann Christian Woyzeck, to slow down while shaving him: "Not so fast, one thing after another. You're making me quite dizzy." The orderly, a fidgety and anxious troll of a man, paces back and forth in the spotlight, etching out the confines of the circle. Surrounded by darkness, he nervously darts to his washbowl and glances out into the audience with a fearful and ominous visage. Woyzeck cannot and will not slow down...