Word: john
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Dates: during 1920-1929
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...other lectures of the series will be: Professor Joseph H. Willits, Wharton School of Finance and Commerce, University of Pennsylvania, on "The Coal Industry and Industrial Relations"; John P. Frey, secretary-treasurer, Metal Trades Department A. F. of L., on "The Development of Industrial Relations Through mutual Consent": Professor John R. Commons. Wisconsin University, on "Jurisdictional Disputes"; Professor William M. Leiserson, Antloch College, on "Contributions of Personnel Management to Improvement of American Labor Relations"; Elton Mayo, Associate Professor Industrial Research, in the Business School, on "Maladjustment of the Industrial Worker"; and Professor F. W. Taussig, of the Economics Department...
Hard it is to look at a Gothic building without a romanticizing ophthalmia, harder still to consider a Gothic personage. Francois Villon is generally conceived to have been a frisking, lyrical scapegrace, much in the manner of John Barrymore's cinema portrayal of The Beloved Rogue, an essentially harmless, buoyant, inspired fellow.* The just biographer must be proof against the delusive magic of medieval names and picaresque histories...
...song, sings it to the revue-girl, is heard by one Marcus (Edward Martindel), a theatrical shogun. Shogun Marcus, impressed, wants Al to write more songs, gives Molly, the revue-girl, a break. Four years later Al & Molly are Broadway pets, but Al loses Molly, who becomes infatuated with John Perry (Reed Howes). There is a three-year-old child called Sonny Boy (David Lee), who escapes artificiality so completely that a hypersensitive cinemaddict feels like an intruder during the scenes between...
...jealous husband, who sternly, illogically resents any influence upon his wife's life which is extraneous from the elemental man-woman relationship. He is jealous of his wife's bridge clubs, golf, children; his is a supremely introversive ego. This good piece recounts the story of John Payson, green-ired husband of Nan. John (John Boles) wants to lead his wife's life. From an afternooon party Nan (Leatrice Joy) comes home befuddled, having been locked accidentally in the wine-cellar of Jules Moret (H. B. Warner) whose name alone, as every cinemaddict knows, reeks of malevolence...
...come over here expecting to find Harvard a hotbed of collegiatism; my disillusionment was most welcome," John Maud, Davidson Scholar from Oxford declared in an interview with a CRIMSON reporter last night. "Coming over on the boat I had read several novels of College life in America, and I must confess that I proceeded to Harvard with the greatest trepedation. Oxford is tremendously amused at the so called 'College Spirit...