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Word: john (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

Punchmaster John C. Portman '01 said the problem stemmed from a misunderstanding between the club and the company...

Author: By Victoria C. Hallett, CRIMSON STAFF WRITER | Title: Mix-Up Stymies Owl Club Punch Plans | 10/22/1999 | See Source »

Fellow Dunster House resident John P. Basbagill '00 was one satisfied customer...

Author: By Elizabeth A. Gudrais, CRIMSON STAFF WRITER | Title: Made Up in Mary Kay | 10/22/1999 | See Source »

...actual journey made by 73-year-old Alvin Straight (Richard Farnsworth), seems right up Lynch's alley---quirky and Midwestern, with a lawnmower thrown in for good measure. Interestingly enough, Lynch was initially opposed to directing The Straight Story. But after reading the screenplay written by Mary Sweeney and John Roach, Lynch was won over: "[I] wasn't interested in it. I never thought I would make this story, but the screenplay turned me around. I loved...

Author: By Teri Wang, CRIMSON STAFF WRITER | Title: Mower Than It Seems | 10/22/1999 | See Source »

...homage to Straight's perseverance, The Straight Story is by no means a documentary. The wheels on Straight's lawnmower blend with the turning of tractor wheels. Bicyclists, cars, trucks whiz right by. Never for a moment are you made to forget that Straight is riding a 1966 John Deere. And for those of us willing to trot along at five miles-per-hour, the story is unexpectedly rewarding...

Author: By Teri Wang, CRIMSON STAFF WRITER | Title: Mower Than It Seems | 10/22/1999 | See Source »

...there are many electric moments in the play. Set designer John Gordan '01 places Shepard's characters in what resembles a series of stacked prison cells, and it is in this segmented, sequestered reality--under the blinding, white lights of Matt Denman '00--that they must fight to find companionship and solace. The difficulty of coming together in such antiseptic enclosures makes the play's moments of human contact, or near contact, all the more heart-stopping. And it makes the play's final image, an image of ultimate loneliness, seem all the more sad for its inevitability...

Author: By David Kornhaber, | Title: Post-Script to Blackmail: Deceit and Regret in | 10/22/1999 | See Source »

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