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...know what on earth he means [by restructuring],” said English professor W. James Simpson. “Does it mean cutting certain programs? I’m worried that decisions of that kind will be extremely grave decisions that would be very disruptive.”John M. Duffy, chair of the classics department, said he is similarly unsure of the meaning behind the phrase, calling it “a visionary approach without exactly having a clear vision.” Smith may be deliberately withholding details to stimulate discussion among faculty and staff?...

Author: By Bonnie J. Kavoussi and Esther I. Yi, CRIMSON STAFF WRITERSS | Title: Faculty Unsure of ‘Reshaping’ | 5/1/2009 | See Source »

...role in his most recent film, “Fell in Love with a Dead Boy.” The film, which will be screened this Saturday in the Carpenter Center, focuses on the experience of a young woman who loses her vision as she develops an obsession with John F. Kennedy ’40. Seeking to explore the boundaries between biography and fiction, Bethel created a fictional character comprised of elements of Popkin’s own life. The girl in “Fell in Love with a Dead Boy” is suffering from a blindness...

Author: By Melanie E. Long, CRIMSON STAFF WRITER | Title: ‘Fell in Love’ Explores Obsession, Blindness | 5/1/2009 | See Source »

When asked if he has any regrets from his four years at Harvard, John D. Kapusta ’09 succinctly replies “I don’t think so,” an answer unsurprising to anyone familiar with his musical endeavors. During his time at the College, Kapusta has been integral to many musical organizations; his activities have ranged from playing the trumpet in the Harvard-Radcliffe Orchestra to sitting on the board of the Dunster House Opera. A joint Music and Literature concentrator, Kapusta is also one of the few Harvard students participating in Harvard?...

Author: By Kerry A. Goodenow, CRIMSON STAFF WRITER | Title: John D. Kapusta ’09 | 5/1/2009 | See Source »

Reading a poem by John Ashbery ’49 for the first time feels like walking into the room of a stranger. The space is mysterious; the language, unfamiliar. There is some sort of order, but it is known only to the owner. Slowly, though, orienting details emerge. Ashbery’s words take on a reassuring rhythm, thrumming steadily, visually, against the walls of the mind. Gradually one gets one’s bearings, locating oneself within the discursive beauty. “How does it feel to be outside and inside at the same time, / The delicious...

Author: By Jessica A. Sequeira, CRIMSON STAFF WRITER | Title: Portrait in a Crimson Mirror: JOHN ASHBERY ’49 | 5/1/2009 | See Source »

...Ashbery’s daily schedule is relatively relaxed. He spends much of his day at home in Hudson or New York City reading books of poetry sent to him by publishers, keeping up with current events, and listening to music, mostly twentieth century classical pieces by composers like John Cage and Elliott Carter. “I’m very disorganized,” he laughs. “I sort of imagine I’m going to write and put it off to the last possible moment, maybe late afternoon. Then I mostly don?...

Author: By Jessica A. Sequeira, CRIMSON STAFF WRITER | Title: Portrait in a Crimson Mirror: JOHN ASHBERY ’49 | 5/1/2009 | See Source »

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