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Word: johnson (lookup in dictionary) (lookup stats)
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...befall the earth on Dec. 21, 2012, and next week Roland Emmerich has a thriller on that very theme: 2012. Bell lived near Area 51, the Nevada military base that may be a giant freezer warehouse for alien bodies; in two weeks there's a Dwayne (The Rock) Johnson movie called Planet...

Author: /time Magazine | Title: The Fourth Kind: Subnormal Activity | 11/6/2009 | See Source »

...Molina & Johnson is the collaboration of alt-country legends Will Johnson of Centro-Matic and Jason Molina of Songs: Ohia and The Magnolia Electric Co. In the tradition of many classic country and blues albums, the self-titled release is sparsely orchestrated, contributing to the feeling that it was created by two talented and mournful men kicking back, imbibing, loading shotguns, and playing music...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: Molina & Johnson | 11/6/2009 | See Source »

...soulful and exposed. The duo exhibits an effortless mastery of many classic tropes, employed without pretense to keep the album engaging and honest. Unfortunately the album’s traditional song structures and generally unremarkable music cause the songs to run together, and, at times, it feels like Molina & Johnson are playing the same song with small variations over and over again...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: Molina & Johnson | 11/6/2009 | See Source »

Many of the tracks are more blues than they are country. “All Gone, All Gone,” is about as dismal as the title would suggest. It features a duet between Johnson and Texas songsmith Sarah Jaffe over a plodding guitar line that sounds as if it’s plucked from an early Robert Johnson recording. Featuring a singing saw—an instrument whose existence is easy to forget, but whose presence is impossible to ignore—the song feels like a slow drive down a pitch-black southern road in the heart...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: Molina & Johnson | 11/6/2009 | See Source »

...Molina & Johnson struggle with the limitations of their chosen genre, however, occasionally exhausting their limited supply of musical and thematic tropes. Indicative of the album’s primary shortcoming, “In the Avalon/Little Killer” is a maudlin piano ballad that falls short of the powerful simplicity that “All Gone, All Gone” achieves, and for which it strives. While emotive and marginally moving, the music is fairly boring, never quite leaving the ground. It is chilling, but only slightly so, and while it maintains the unmediated feeling of someone sitting down...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: Molina & Johnson | 11/6/2009 | See Source »

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