Search Details

Word: joie (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...unit improved, the nurses began to prod the patients into greater activity. Many of them, it turned out, were well enough to do little chores for the nurses, socialize with one another, stroll to other parts of the hospital. In at least one instance, the unit's new joie de vivre exceeded all expectations. Walking into the room of a 39-year-old man, a nurse was amused to find that he had invited his wife to join...

Author: /time Magazine | Title: Psychology: Death in a Cancer Ward | 6/20/1969 | See Source »

...LOVES OF ISADORA is a biography of Dancer Isadora Duncan that has been severely truncated by the distributors. Still, Vanessa Redgrave as Isadora conveys a radiant grace and joie that the rest of the cast sadly lacks...

Author: /time Magazine | Title: Television: Jun. 6, 1969 | 6/6/1969 | See Source »

...LOVES OF ISADORA is a biography of Dancer Isadora Duncan that has been severely truncated by the distributors. Still, as Isadora, Vanessa Redgrave conveys a radiant grace and joie that the rest of the cast sadly lack...

Author: /time Magazine | Title: Television: May 30, 1969 | 5/30/1969 | See Source »

...north, living on flat grassland that backs up to Sahara sands, dwell the Hausa and Fulani, haughty, devout Moslem peoples governed locally by feudal emirs. The Western Region is the home of the Yoruba, a tribe known for its profusion of gods (more than 400) and its joie de vivre. To the east, where they are now trapped, the ambitious and clever Ibo people thrived. Brought forcibly together under colonial rule, the three regions developed the hatreds and jealousies of totally different cultures. Most hated of all?and most envied by other Nigerians?were the Ibos, quite possibly Africa...

Author: /time Magazine | Title: World: NIGERIA'S CIVIL WAR: HATE, HUNGER AND THE WILL TO SURVIVE | 8/23/1968 | See Source »

...blind girl literally lives her role; she is truly blind. The ragpicker (Sachiko Hidari), a painter who never acted before, is as narrow as a rice stalk, so emaciated that he sometimes seems to have two profiles in search of a face. But Hidari radiates a beggar's joie de vivre, in contrast to the boredom of the well-to-do. Thus he underlines the film's theme: in present-day privileged society, the cost of the good life is charged to the spirit...

Author: /time Magazine | Title: Cinema: Oriental Antonioni | 5/5/1967 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | Next