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...Jolson Story (Columbia) is a fine, noisy celebration of Hollywood's two decades of talking movies. To the embarrassment of Warner Bros., currently whooping up the 20th anniversary of sound (which they started) with some none-too-skillful pictures, this splashy, expert piece of entertainment was made by a rival studio...

Author: /time Magazine | Title: The New Pictures, Oct. 7, 1946 | 10/7/1946 | See Source »

...Technicolor biography of Al Jolson, with all the nostalgic music plugged in, might easily have turned out to be an unpalatable mixture of chestnuts and corn. This movie succeeds in blending the inevitable flavors so smoothly that very young cinemagoers who never heard Jolson -and oldsters who were never enthusiastic about him-may now understand why he was one of America's favorite entertainers during the frenzied...

Author: /time Magazine | Title: The New Pictures, Oct. 7, 1946 | 10/7/1946 | See Source »

...following fall, Al Jolson, between recorded songs in Warner's The Jazz Singer, did some ad-lib talking: "You ain't heard nothin' yet, folks. Listen to this." Audiences were enchanted. After Warner's 1928 Lights of New York, the first all-talking feature, more than a thousand movie theaters throughout the U.S. hastily wired for sound. So did every major Hollywood studio...

Author: /time Magazine | Title: Cinema: Cut-Rate Dreams | 8/12/1946 | See Source »

Born. To Ruby Keeler, 35, light-footed dancing star of cinemusicals in the heavy-footed '30s, onetime wife of pop-eyed Mammy-Crooner Al Jolson; and John Homer Lowe, 33, Pasadena broker and wartime navy lieutenant: their third child, first son. Name: John Lowe III. weight...

Author: /time Magazine | Title: Milestones, Feb. 18, 1946 | 2/18/1946 | See Source »

...hour concert of Gershwin music would be well worth the price of admission. The shimmering ragtime of many a half-forgotten early hit, beaten out by an invisible Oscar Levant; the brazen love call of the Winter Garden smash Swanee, groaned in all its original agony by blackfaced Al Jolson; Anne Brown's superb soprano raised again in the music of Porgy and Bess; and The Man I Love given an added pinch of pepper by Hazel Scott's post-graduate left hand are only a few of the courses served up in this lavish Gershwin feast...

Author: /time Magazine | Title: The New Pictures, Jul. 2, 1945 | 7/2/1945 | See Source »

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