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...role of Chrysothemis, Ruth Holt Boucicault being a trifle shallow as foul Clytemnestra. But lack of preparation was their ample excuse. That their few flaws would soon be remedied seemed likely when, the play's two-day run being highly acclaimed, it was moved into the Al Jolson Theatre for an indefinite...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: May 16, 1927 | 5/16/1927 | See Source »

Last week a great flood of carefully prepared talk about such composers as Beethoven, Tchaikowsky, Dvorak, Strauss, Wagner, Brahms, was heard all over the country in felt-carpeted apartments and soundproof cubicles which have for years echoed with arguments and ecstasies over Paul Whiteman, Irving Berlin, Al Jolson, Van & Schenk, Harry Lauder. The Victor Co. last week set out to make "his master's voice" the voice of the masters. Of all the factors that have made the U. S. suspicious, as a nation, of any music less candid than jazz and coon songs, no factor is more important...

Author: /time Magazine | Title: Music: Reformation | 4/11/1927 | See Source »

...time, seem to have many points of similarity. It was vastly entertaining to find, in reading the old comedies, that the authors were using the same tricks, the same jokes, as are common in our vaudeville, burlesque, and musical shows. Business which we associate with Chaplin, Jolson, Tinney, Bobby Clark, Fannie Brice, and the Four Marx Brothers, was invented by the Harlequins and Sganarellos of the Venetian comedy; subjects which are treated in full page advertisements today, were touched off in light repartee on the trestles and boards of Italy two and a half centuries ago. All I have done...

Author: NO WRITER ATTRIBUTED | Title: NOTHING SERIOUS IN "ORANGE COMEDY" | 12/7/1926 | See Source »

...Martin Harvey deserted "Oedipas Rex" and joined the chorus of "Artists and Models"; Charles Spencer Chaplin could probably do "Hamlet" nearly as well as his adorers claim; and Ethel Barrymore might take to a juggling act and still leave the universe as a whole undisturbed. But when Al Jolson--the one and only--says, and actually takes the firs steps, that he is going to quit musical comedy for the serious drama, then is the time for all good men to come to the aid of the party and for Pro Bono Publicae to write letters to the Times...

Author: NO WRITER ATTRIBUTED | Title: BIG BOY GETS RELIGION | 11/19/1926 | See Source »

...average theatre-goer, meaning a mixture of the T. B. M., George Jean Nathan, and one's maiden aunt, would, if consulted, much prefer to hear Al Jolson chant the imminent arrival of the red, red robin than see him in Shakespearian roles. No tragedy, however inspiring, could afford Mr. Jolson a legitimate opportunity to bellow for his Mammy. When one wants to see a faithful portrayal of the real negro there is Paul Robeson. But Al Jolson, in spite of Eddie Cantor's admirable attempts, is absolutely unique. And now he threatens to reform...

Author: NO WRITER ATTRIBUTED | Title: BIG BOY GETS RELIGION | 11/19/1926 | See Source »

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