Word: jolsonized
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Married. Al Jolson (Asa Yoelson), famed mammy songster; and Ruby Keeler, tap dancer; in Port Chester...
...Singing Fool. Al Jolson, Robert Charles Benchley. George Bernard Shaw are the best the sonucinema has offered so far. This is no happy commentary upon 1) cinemactors; 2) sonucinema. Neither Songster Jolson, Funnyman Benchley...
Mimographer Shaw is a cinemactor, yet no cinemactor, no cinemactress has so ably combined appearance with utterance as have Jolson, Benchley, Shaw. Jolson, of course, is the lone member of the trio who has gone to any film length and observers noted that neither of his two operas (The Jazz Singer, The. Singing Fool) has been all-talk. Both have been all-sound. If Jolson, whose singing can lift a drooping piece, has not been permitted to do an all-talk piece, it is obvious that a lesser player, unable to break into song, must falter when the piece itself...
...Singing Fool Jolson is Al Stone, a singing waiter at an inferior nightclub, who is daft over a revue-girl (Josephine Dunn). He writes a song, sings it to the revue-girl, is heard by one Marcus (Edward Martindel), a theatrical shogun. Shogun Marcus, impressed, wants Al to write more songs, gives Molly, the revue-girl, a break. Four years later Al & Molly are Broadway pets, but Al loses Molly, who becomes infatuated with John Perry (Reed Howes). There is a three-year-old child called Sonny Boy (David Lee), who escapes artificiality so completely that a hypersensitive cinemaddict feels...
...looking for him. He joins a show, again gulps huzzas. Then word comes that Sonny Boy is dying in a Manhattan hospital. Here is the opportunity for the "Laugh, Clown. Laugh'' pishtish which was ignored in The Jazz Singer, when instead of going on with the show, Jolson went to synagog, substituted for his father, the dying cantor. With his son dead in the hospital, Al takes his turn behind the footlights, sings "Sonny...