Word: jonah
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Dates: during 2000-2009
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...says “Children of Eden,” the first musical and student production to run in the recently finished New College Theatre. Directed by Nelson T. Greaves and Jonah C. Priour ’09 and produced by Laura S. Hirschberg ’09, “Children of Eden,” which ran through Jan. 12, presented a modern reinterpretation of the Book of Genesis that nonetheless adhered fairly closely to Biblical tradition. The play’s script left the cast little room for creativity, but provided the foundation for a stunning production...
...College Theatre from Jan. 7-12. “The musical is fresh, fun, and glitzy—along the lines of ‘Wicked,’” says Nelson T. Greaves ’10, who is directing along with Jonah C. Priour ’09. “Snakes dance in kick lines, God throws lightening bolts, and Noah builds an ark—while singing and dancing.”“The show is particularly moving for me because it acknowledges that out of the indelible mystery...
...Diamond practically groomed him to play the eponymous role. Apatow and director Jake Kasdan (“Orange County”) seem to anticipate this absence, slathering “Walk Hard” with cameos big and small—from “Superbad” star Jonah Hill, who plays the grown-up ghost of Cox’s dead brother, to Jack Black, Paul Rudd, Jason Schwartzman, and Justin Long, who literally play The Beatles. Instead of the giddy surprise viewers experience during well-placed cameos, such as Ferrell’s uncredited appearance...
...Undergraduate Council, organizing feminist coffeehouses, or protesting with the Harvard Anti-War Coalition and the Student Labor Action Movement (SLAM), Krahel actually cares about what he does, and it shows. “Kyle is someone who always knows what he stands for,” says Jonah L. Kanin ’08, Krahel’s roommate since freshman year. “And he’s willing to be involved in the Harvard community in ways that support the things he believes.” And involved in Harvard he certainly is. As UC secretary...
...Dad” doesn’t have a plot so much as a set of relationships that provide a pretext for mounting hysteria. There’s Madame Rosepettle (Alexandra C. Palma ’08) and her emotionally stunted son Jonathan (Jonah C. Priour ’09), whose excessively tight-knit relationship makes Norman Bates look well-adjusted. Intruding into their claustrophobic domesticity in a hotel in Havana are Rosalie (Sophie C. Kargman ’08), in love with Jonathan, and Commodore Roseabove (S. Adam Goldenberg ’08), in love with Rosepettle. The main...