Word: joni
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Dates: during 1970-1979
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...Last Waltz has quite a few things going for it. It features not only The Band but a parade of rock stars the likes of which might only be found at an L.A. cabaret on a good night. With all that talent--most notably Dylan, Joni Mitchell, Eric Clapton, Muddy Waters, Van Morrison, and Neil Young--one might assume that it would take a king-hell bummer on the level of an indoor altamont to spoil this film. There is certainly no arguing over the quality of music in the film. Director Martin Scorsese's (Mean Streets, Taxi Driver) film...
Except for a couple of bland turns by Joni Mitchell and Neil Diamond, the concert is one high after another. Hawkins sets the pace with his screaming version of Bo Diddley's Who Do You Love? From there, it's on to Neil Young's Helpless, Paul Butterfield's Mystery Train, Muddy Waters' Mannish Boy and Morrison's downright ecstatic Caravan. The Band's numbers are full of lyric intricacies and haunting musical motifs. When the group joins the Staples to do The Weight on a mysterious sound stage set away from...
...BEGINS "The Silky Veils of Ardor," the last song on Joni Mitchell's newest album, Don Juan's Reckless Daughter. Throughout her career, Mitchell has been traveling--a hitcher, a wanderer, a tourist, a pilgrim with no destination. Her albums are not so much a chronicle of her travels as a portrait of the traveler. And the traveler is slowly, sadly, desperately slipping away...
...Joni of Don Juan's Reckless Daughter, however, rarely steps outside herself. When she writes about her emotions, she fails to place them in any sort of perspective, or to fill in a persona around them. Thus, many of the new songs are portraits--not of a neurotic person--but of a neurosis. And Joni Mitchell's neuroses are not zany-funny, common, or even unique. In fact, they are not even all that interesting. Her songs are like a certain kind of friend--a friend of whom you are genuinely fond--but a friend who is forever wrapped...
...LONG AGO, studio artists were the unsung heroes of the music industry. Respected for their technical mastery, taste and absolute professionalism, they have long been a staple to the Joni Mitchells and Steely Dans, whose musical make-ups vary greatly from album to album. Because of the diverse needs of the artists with whom they work, studio musicians have become the Renaissance men of the industry. It is only in recent years that they have emerged as artists in their own right, releasing solo albums and touring with their own bands...