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Word: joni (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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...BEEN 23 YEARS since Joni Mitchell released Blue, a lapidary album that used vivid poetry and sun-washed melodies to enrich the palette of contemporary folk music. Now and then, over time, Mitchell's commercial fortunes have stalled, but her determination has never wavered. Her forays into jazz (Mingus, The Hissing of Summer Lawns) cost her some fans but cemented her reputation as a provocative innovator, and by 1985 her lyrics had taken on an increasingly political bite...

Author: /time Magazine | Title: MUSIC: A Deeper Shade of Blue | 11/28/1994 | See Source »

...piano," she says, "and Dad, who was a minister, played the guitar. I started singing with them and my older sister when I was five -- songs by Peter, Paul and Mary and other folk stuff." Their group was called the Upshaw Family Singers. Her youthful idols were Barbra Streisand, Joni Mitchell and Aretha Franklin, and she dreamed of a career in musical theater. At Illinois Wesleyan University, though, she studied voice with her future father-in-law, David Nott, and he introduced her to classical song, starting with Schubert and Debussy. "His emphasis was on the words," she says...

Author: /time Magazine | Title: Dawn Upshaw: The Diva Next Door | 9/5/1994 | See Source »

...typical of these two partners, who in many ways are opposites. Ray is tough and outspoken and has a growling, devilish singing voice. Saliers is quiet and reflective, and her vocals are high and angelic. Ray says she's influenced by punk bands like the Sex Pistols; Saliers prefers Joni Mitchell. The two never write songs together, and for weeks at a time they drift apart to their separate circle of friends. But something connects them. The children of professional parents, both are 30, Atlanta natives and graduates of Emory University. They have known each other for 20 years, played...

Author: /time Magazine | Title: MUSIC: Indigo Girls: The Power of Two | 6/27/1994 | See Source »

...typical of these two partners, who in many ways are opposites. Ray is tough and outspoken and has a growling, devilish singing voice. Saliers is quiet and reflective, and her vocals are high and angelic. Ray says she's influenced by punk bands like the Sex Pistols; Saliers prefers Joni Mitchell. The two never write songs together, and for weeks at a time they drift apart to their separate circles of friends. But something connects them. The children of professional parents, both are 30, Atlanta natives and graduates of Emory University. They have known each other for 20 years, played...

Author: /time Magazine | Title: MUSIC: The Power of Two | 5/23/1994 | See Source »

Anyone doubting that need only listen to her latest CD Blue Light 'Til Dawn, an enchanting and diverse collection that includes jazz renditions of songs by folk rocker Joni Mitchell and bluesman Robert Johnson. The first track, You Don't Know What Love Is, is slow and spare and recalls Billie Holiday without imitating her. "You don't know how hearts burn/ For love that cannot live yet never dies," Wilson sings, her rich alto conjuring feelings of midlife rust and heartbreak. Wilson's voice never pushes to hit any big, crass Star Search notes; this is a quiet album...

Author: /time Magazine | Title: MUSIC: Soft Songs, Hard Truths | 4/11/1994 | See Source »

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