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...striking moments, from Vanessa-Mae's rubbed-raw violin solo on the title track to the brutal frankness of What About, in which a woman rejects a marriage proposal from an abusive boyfriend. Jackson occasionally relies too heavily on others--Got 'Til It's Gone draws smartly on Joni Mitchell's Big Yellow Taxi (credited) but clumsily on Des'ree's Feel So High (uncredited). She is more creative on her cooing cover of Rod Stewart's deflowering ballad Tonight's the Night. She directs the lyrics toward another woman and turns the song into an anthem of sexual liberation...

Author: /time Magazine | Title: MUSIC: AND AN UPDATED JANET | 10/20/1997 | See Source »

This new music has the vigor of youth--McLachlan is 29, Jewel just 23--and yet it echoes with sounds of three decades past: the crisp emotionality of Joni Mitchell, the artful lyrics of Bob Dylan. While rooted in acoustic folk, it draws freely on blues, jazz and even hip-hop. "There's no such thing necessarily as a folk song or pop song," says jazz singer Wilson. "What it is is not as important as how you do it, and how you do it is not as important...

Author: /time Magazine | Title: MUSIC: GALAPALOOZA! LILITH FAIR | 7/21/1997 | See Source »

...does that Joni Mitchell song go? "I've looked at life from both sides now..." McLachlan has certainly seen both sides in the music business. As the Founding Mother of Lilith--and the only performer playing every date--she is sure to win a wide new audience for her lush, thoughtful songcraft. Her new CD, Surfacing (Arista), out this week, is an elegant, old-soul album, with several standout songs, including the bewitching Building a Mystery and the ravishing Adia. Radio is already all over it. But not too long ago, McLachlan couldn't buy airplay. "When my album Fumbling...

Author: /time Magazine | Title: MUSIC: GALAPALOOZA! LILITH FAIR | 7/21/1997 | See Source »

...example of how teenage girls in the 1960s and '70s were taught to be blank images rather than real people. Never mind that the era gave rise to a slew of empowering female singer-songwriters; in Wolf's distorted algebra Tony Orlando cancels out the cultural weight of, say, Joni Mitchell...

Author: /time Magazine | Title: BOOKS: DO WE NEED MORE OPRAHS? | 6/30/1997 | See Source »

Gibb called Mitchell's manager in Vancouver and sent along the adoption profile. "It was as if you were reading Joni's biography," recalled the manager, Steve Macklam. He phoned to double-check the profile and speak to Kilauren. The next call came from Mitchell herself. "Hi, it's Joni. Please call me. I'm overwhelmed." Since then Gibb, who has a young son, has seen her family circle widen almost daily. First came a call from her grandparents in Saskatoon. Then last week she met her biological father. "I was always sort of looking for her on the street...

Author: /time Magazine | Title: JONI, NO LONGER BLUE | 4/21/1997 | See Source »

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