Word: joni
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...Joni Mitchell: Mingus (Asylum). An act of elaborate and loving homage to the late Charles Mingus, formidable bass player and jazz composer. The record is more emotional in its dedication than in its musicianship, however. Mitchell's lyrics for Mingus' sometimes abstruse music get a little toplofty, and her sidemen-Wayne Shorter, Herbie Hancock, Jaco Pastorius are among the most renowned-stay so aloof and mechanical the record turns to stainless steel...
...expect to catch a lot of guitar music accompanied by male or female vocalists, or vice-versa. Or maybe a group. Or a commedian if you're very lucky. Most of the music is original, and sometimes it's good enough to make you want to trash your old Joni Mitchell albums. And if you don't like the first act, stick around, there are seven sets a night to choose from...
...especially musicians. "Don't call me a jazz musician," he once complained. "The word jazz means nigger, discrimination, second-class citizenship, the back-of-the-bus bit!" Too crippled by disease to perform during his final year, Mingus nevertheless composed the music for an album by Joni Mitchell...
...really like Peter...you know, it's like, I like people like Jimi Hendrix, Joni Mitchell--but Joni and Hendrix have a lot in common, they really do. They both go up there and do it their own way, do their own thing, you know? Really unique," one locally popular folksinger explained...
...Last Waltz has quite a few things going for it. It features not only The Band but a parade of rock stars the likes of which might only be found at an L.A. cabaret on a good night. With all that talent--most notably Dylan, Joni Mitchell, Eric Clapton, Muddy Waters, Van Morrison, and Neil Young--one might assume that it would take a king-hell bummer on the level of an indoor altamont to spoil this film. There is certainly no arguing over the quality of music in the film. Director Martin Scorsese's (Mean Streets, Taxi Driver) film...