Word: joni
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...rock heroes of the '70s have turned out to be glittery imitations of talent. Most sixties' superstars survive in repackaged groups with discounted reputations. But Joni's writing and singing continue to renew themselves. Her roots in rebellion have flourished as stubborn, invincible candor. "The most important thing is to write in your own blood," she says. "I bare intimate feelings because people should know how other people feel." Joni's confidences, delivered in poetic portraits, produce in her huge and varied audience a spirit of communion that separates the poet from the diarist...
...Joni," says Singer Linda Ronstadt, "is the first woman to match any man on his own terms as a songwriter, guitar player or as an incredibly magnetic human being." Among other things, Joni is a focal point for elegance in a profession of rumpled informality A Persian carpet and a vase of red roses are de rigueur stage decorations for concerts. Most rock-concert performers, bored with singing their ultimate paean for the umpteenth time, wait for their own turns on the program in backstage trailers. But when Joni goes onstage, so do the other entertainers. Standing between speakers...
Booted and largely bespectacled throngs of long-haired teenagers dressed in the neuter hues of khaki and denim, waltz in the aisles passing fruit and sunflower seeds. Joni's arrival turns the camp town meeting into a sing-along chautauqua. After the concert, the fans mass around the main stage exit to wait for Joni, and when she appears they voice timid hellos, give her bouquets or simply smile...
Everyone seems to know Joni. She is the rural neophyte waiting in a subway, a free spirit drinking Greek wine in the moonlight, an organic Earth Mother dispensing fresh bread and herb tea, and the reticent feminist who by trial and error has charted the male as well as the female...
Youth's silent rebellion in Let the Wind Carry Me, the juxtaposition of innocence and experience in Both Sides Now, and the suburban frustrations of The Arrangement are messages from a modern Isadora whose life is a litmus for the innocent and imaginative. "Joni exorcises her demons by writing those songs," says Guitarist Stephen Stills, "and in so doing she reaches way down and grabs the essence of something very private and personal to women...