Word: joplin
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...nation pulsed with music and proclamation, with rages and moral pretensions. "This is the dawning of the age of Aquarius," sang the cast of Hair, which came to Broadway in April. Janis Joplin expressed one side of the year fairly well: ecstatic and self-destructive simultaneously, wailing to the edges of the universe, flirting with the abyss. Joplin, who died of a heroin overdose in 1970, memorably sang Me and Bobbie McGee, the 1969 Kris Kristofferson song that contained a perfect line of 1968 philosophy, "Freedom's just another word for nothing left to lose...
...year 1968 was more politically preoccupied. But the personalities and anthems of rock gave pulse to the politics and identity to the young. It was the sound that they inhabited -- Steppenwolf, Country Joe and the Fish, the Jefferson Airplane, the Grateful Dead, Marvin Gaye, Jimi Hendrix, Janis Joplin, Simon and Garfunkel, the Beatles going into their White Album phase and, above all, Bob Dylan, still. Dylan's music had a genius of portent: "The answer, my friend, is blowin' in the wind." Back in 1965 he had written, "Something is happening here, but you don't know what...
...struck me today that the people that have had an impact on me are the people who didn't make it. Marilyn Monroe, Judy Garland, Montgomery Clift, Lenny Bruce, Janis Joplin, John Belushi . . . In our culture these people are heroes . . . It's the one thing I cling to in here: Wow, I'm hip now, like the dead people." So writes Actress Suzanne Vale, 29, whose diary of her 30 days in a Los Angeles drug rehabilitation clinic forms the strongest part of this feisty, refreshing first novel. Suzanne's journal is counterpoint to the strident monologue of a fellow...
...Clive Davis was ready for Whitney. Earlier, he had helped launch the careers of Janis Joplin, Barry Manilow and Billy Joel. Now he would steer Whitney Houston to middle-of-the-road music. Gerry Griffith, then Arista's A.- and-R. chief, had recommended Whitney to Davis and set up an audition. "Clive sat there poker-faced," recalls Flics. "He said thank you and left. The next day we got an enthusiastic offer." In 1983 Arista signed her, with a "key man" clause: if Davis leaves the company, Whitney can go with...
...Russo dreamed bigger still. "From the beginning," he says now, "I knew the screen could take this little person with the enormous talent and show her off in a big way." But no project seemed right. So they resurrected Pearl, a script about Janis Joplin, and had it rewritten, Midler says, "as a homage to all those men and women who bit the dust from sheer compulsion." That was The Rose. "I had a ball! I couldn't wait each day to strap on that angst bag and chew up that scenery. I thought it was my best work." Seen...