Word: jorgens
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...woman, Hedda had been a kind of platonic muse to Eilert Lovborg (David Newman), a brilliant but dissolute writer and thinker. Out of temperamental fatigue ("I have danced practically all my life-and I was getting tired . . . My summer was up"), she has married an aunt-coddled pedant named Jorgen Tesman. She has moved from a danger that stirred her inner being to a safety that curdles her inner being. Lovborg has since found a new muse, Thea Elvsted (Anne Fielding), a married woman far inferior to Hedda in intellect but considerably more pliant sexually. Tesman's friend...
Middle-Aged Onanists. They never materialized. Unsold dirty books were sent back by newsstands and kiosks in staggering numbers. According to one publisher, about 75% of the first great overprinting of titles were returned. "Four to six months before the law was changed," says Publishing Adviser Jorgen Rothenborg, "you would distribute 20,000 to 25,000 copies of a new pornographic title. Now, only about half of that number are printed, and a third of them come back. I suppose we only print for the onanists, and that's not youth, but mostly people from 45 to 65." Agrees...
...with a clue supplied by a young archaeology enthusiast, Ramskou has discovered the secret of the sun-seeking stones of the ancients. To the ten-year-old son of Jorgen Jensen, chief navigator of the Scandinavian Airlines System, the instrument described in Skalk sounded much like the twilight compass used by his father on flights at high latitudes, where the magnetic compass is unreliable. The twilight compass is equipped with a Polaroid filter that enables a navigator to locate the position of the sun-even when it is behind clouds or below the horizon-by the sunlight polarized...
...Hjelm), a wealthy young Swede, revisits the house he grew up in and invites a moral conflict between the memory of his profligate mother (Ingrid Thulin) and the love of his innocent fiancee (Lena Brundin). In a series of what might be called flesh-backs, the man-as-boy (Jorgen Lindstrom) wanders in memory through a child's garden of sexual reverses. Among the obscene scenes: his mother summoning a crowd of drunken guests into her bedroom and letting them watch while she gives birth to a dead baby; his mother, between sensual caresses, telling him "what a nice...
...opposite of. aesthetic, Bergman's talents seem much better after leaving the theatre. Once settled in his favorite coffee shop, the new critic will have fun exploring the film's cornucopian symbolism. Two sisters, Ester (Ingrid Thulin) and Anna (Gunnel Lindbloom), and Anna's little boy, Johan (Jorgen Lindstrom), interrupt their railroad trip in a strange country where a strange language is spoken, because of Ester's strange coughing fits. They rent a room in a hotel with long corridors and no other guests (except for the midgets...