Word: josef
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Dates: during 1970-1979
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...misleading since a primary doctrine was to unite the crafts with the fine arts and to fuse these two into a third and ultimate structure-the building. Thus resulted buildings like Harvard's Harkness Commons with a mural of colored tile by Herbert Bayer, a brick relief by Josef Albers, the textiles by his wife Anni Albers, and the architecture by Gropius...
...Josef Albers, who is known for his rigorous color studies and 3-D paper exercises, is unusually represented in the exhibit by his photos; for example, his Garden Chairs reiterates his geometric, figure-ground play. Bayer ,too, has an unusual photo, unlike his prolific posters and typography (his invention of san-serif type); Surrealist Composition, 1937, is a view of unstable, never-in-full-view spheres and cones...
...Manhattan hooker is no wistful Lili Marlene swinging a sad handbag under the street light. She is a feral and formidable bird of prey-as West Germany's ex-Finance Minister Franz Josef Strauss, 55, discovered at 2:30 one morning last week. Outside the Plaza Hotel just off Fifth Avenue, he was accosted by three women in a yellow car. One of them got out and suggested the possibility of deepening their relationship. "I took the whole thing from the ironic side," says Strauss. But the lady took the whole thing from another side, light-fingered his wallet...
...movie denies the gut reaction to Dietrich as femme fatale. The image of the cold-eyed castrator stands up, in fact, in only two of her films- The Bine Angel and The Devil is a Woman, the first and last movies, respectively, of her six-year association with Josef von Sternberg. In most of her work, Dietrich is notable mainly for her almost martial sense of loyalty to her man. She may flirt in Morocco with everything in trousers (and sometimes those in skirts, when she herself is wearing white-tie-and-tails), but in the end, she follows Gary...
...Josef Hofmann: Works by Chopin, Liszt, Mendelssohn (Victrola). A superstar born in 1876 to the grand romantic tradition. Hofmann never officially released a commercial studio recording after 1924. In May 1935, however, when he was still at peak form, Hofmann made some test recordings for Victor, now released for the first time. The sound is uneven, but the first movement of Chopin's B-Minor Sonata is a matchless example of the controlled give and take he brought to large-scale works. The Chopin-Liszt Maiden's Wish shows how delicate he could be at painting musical miniatures...