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...architect of many of Harvard’s most monumental and prominent buildings, Josep Lluís Sert remains controversial even 20 years after his death...

Author: By Christian A. Stayner, CONTRIBUTING WRITER | Title: Reshaping Harvard’s Landscape | 10/10/2003 | See Source »

...organizers of “Josep Lluís Sert: The Architect of Urban Design, 1953-1969” and “Josep Lluís Sert: Architect to the Arts II,” concurrent exhibitions now on display in Gund Hall and the Carpenter Center’s Sert Gallery, believe that Sert’s overall influence on the shaping of urban design is greater than the sum of his individual Harvard commissions...

Author: By Christian A. Stayner, CONTRIBUTING WRITER | Title: Reshaping Harvard’s Landscape | 10/10/2003 | See Source »

...site. The building was designed by the firm of Rodolfo Machado and Jorge Silvetti, chosen from an initial pool of 40 firms worldwide. Machado and Silvetti are both tenured faculty at the Graduate School of Design (GSD), continuing a Harvard tradition of building buildings designed by faculty. Josep Lluis Sert, dean of the GSD from 1953-69, was responsible for the Holyoke Center, the Science Center, and Peabody Terrace...

Author: By Zachary R. Heineman, | Title: Harvard's Newest Ivory Tower | 5/23/2003 | See Source »

...have dropped the Blissett banner and regrouped as Wu Ming (Chinese for "without a name"). They have become full-time authors and acquired a fifth member - author and punk rocker Riccardo Pedrini - and recently produced 54, a "screwball comedy" novel set in 1954 featuring Cary Grant and Yugoslavia's Josep Broz Tito. In the works is a historical fantasy about 19th century America. And several members are writing solo novels under the names Wu Ming 1 (Bui) through Wu Ming 5 (Pedrini). But what about the utopian vision, the leftist imagination, the quirky tactics that first brought the group together...

Author: /time Magazine | Title: Penned It Like Blissett | 5/18/2003 | See Source »

...given to changing his designs over and over during the building process, they needed to have bottomless pockets. Gaudí was also backed by superb Catalan craftsmen, particularly in stone and iron, and his studio included men both loyal and brilliant in their own right. One, the largely unrecognized Josep Jujol, is described by Van Hensbergen as one of architecture's "greatest creative geniuses...

Author: /time Magazine | Title: Gaudí Mania | 3/11/2002 | See Source »

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