Word: josephs
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Dates: during 1960-1969
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...JOSEPH E. GOODELL JR. Bryan, Ohio
...Whitney Richard McCray William Alfred Charles W. Burnham Charles G. Gross Gerald M. Platt Howard B. Emmons D. A. Harnett Irving J. Rein Peter S. McKinney Carp; S. Deppe Michael Fried John W. Hutchinson Patrica L. Foster Charles S. Maier Thomas D. Wegmann Francisco Varela D. W. Del Tredici Joseph P. Manson David V. Cross H. B. Fell T. J. Shankland Hildur Colot David Kendrick R. Z. Kothavala Richard Geody Curtis Callan Rorrest J. Robinson Werner Stumm Philip Stewart Karl V. Testor R. Victor Jones Paul Roazen Patrick T. Riley Stephen Benton J. F. Hayes Harry P. Kerr N. Bloemberger...
...season when a number of dealers and publications have been touting "photographic realism" as the latest new trend, at least two of Manhattan's abler painters have proudly displayed what might be called unphotographic realism. Their canvases differ widely, but both Jack Beal, 37, and Joseph Raffael, 36, invest the visible world with invisible qualities of fantasy and imagination...
Brooklyn-born Joseph Raffael on the other hand, has found the world on occasion a little bit too dangerous and complex. He first won renown in 1965 with grotesquely fragmented, pop-oriented paintings of animals such as test monkeys wired into laboratory chairs. Looking back, Raffael says that he thinks that he was trying to "make vulnerable paintings about pain, haltingly, blindly. But it is hard to maintain open wounds. They've got to close or be treated...
Despite its director's reputation, La Prisonnière is the kind of skin-flick that rarely makes it off the grind-house circuit. But this film is being released in the U.S. by Joseph E. Levine, a canny showman with a shrewd instinct for profitable exploitation. Five years ago, the only chained-up people in Levine movies were Mediterranean musclemen and Nubian slaves. From this standpoint at least, La Prisonnière marks a certain kind of progress...