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...have been bought by private-equity firms. Their M.O.? Suck up companies with borrowed money, make them more efficient and then resell, turning a profit in the process. These days, nearly 1 in 10 nongovernmental employees works for a private equity-owned company, and that, says longtime industry reporter Josh Kosman, is a big problem. In his new book, The Buyout of America: How Private Equity Will Cause the Next Great Credit Crisis, Kosman argues that private-equity firms not only pillage the companies they buy, but also put the broader economy at risk by making those companies take...

Author: /time Magazine | Title: Will Private Equity Be the Next Meltdown? | 11/24/2009 | See Source »

Them Crooked Vultures are a bona fide supergroup. Consisting of Josh Homme (Queens of the Stone Age), Dave Grohl (Nirvana and Foo Fighters), and John Paul Jones (Led Zeppelin), they form a formidable lineup of rock’s elder statesmen both past and present. Despite the impressive breadth of the band’s talent, however, it is Homme who controls the group. Dominated by aggressive and fast-paced hard rock, the band’s self-titled debut feels very much like a continuation of Homme’s prolific career, and that is precisely...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: Them Crooked Vultures | 11/20/2009 | See Source »

...Josh N. Weiss, associate director of Harvard’s Global Negotiation Project, agreed that Khalaf brought “balance” and an “important perspective” in her speech...

Author: By Rediet T. Abebe, CONTRIBUTING WRITER | Title: Speaker Pushes For Arab Reform | 11/16/2009 | See Source »

...opening scene of “(Untitled),” Josh Jacobs (Eion Bailey) questions his failed musician brother, Aaron (Adam Goldberg), about when he’ll finally surrender his dream of becoming a famous composer. “I’ll give it three more years,” the brooding pianist replies, “and if I haven’t made it by then?...

Author: By Clio C. Smurro, CONTRIBUTING WRITER | Title: (Untitled) | 11/13/2009 | See Source »

...buying public, if the album sales of most “Idol” winners are any indication. The key to Underwood’s prior success was that she discarded the vocal theatrics prized by Randy Jackson for solid, conventional country music written by hardened Nashville pros like Josh Kear and Hillary Lindsey. “Play On,” by contrast, features the talents of a murderer’s row of pop songwriters: Max Martin, Savan Kotecha, Chantal Kreviazuk and—now it all begins to fall into place—”American...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: Carrie Underwood | 11/13/2009 | See Source »

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