Word: joshingly
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Dates: during 2000-2009
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...plot's just barely there. College student Josh (Meyer) accidentally sends his long-distance girlfriend a videotape of his drunken infidelity, and with three days to intercept the tape, he drags along some friends on the road trip from Ithaca, New York to Austin, Texas. For most of the movie, then, plot becomes irrelevant-the script uses the empty time on the road to pack in as many laughs as possible. You'll watch Josh & Co. try to clear a broken bridge with their rich friend's new car. You'll visit Josh's grandmother's house and visit with...
...What about Tom Green? The trailers trick you into thinking he's the whole movie, but Tom actually doesn't go on the road trip. As Josh's roomie, he stays behind to monitor his pet snake-and to feed it. And if you've seen the previews, you know quite well that Tom has a field day with a field mouse, teasing the snake with it and even putting it into his own mouth to demonstrate how the chomping should be done. ("That mouse spent all afternoon in my mouth," said Green in interviews. "I even think it went...
...didn't do any better. On Capitol Hill, crippled e-mail systems forced an atypical silence in the halls of Congress, as well as some unusual scrambling. Arriving early on a day dominated by the death of John Cardinal O'Connor, New York Congressman Joseph Crowley's press secretary, Josh Straka, logged on to his computer only to unleash the bug. He spent the rest of the day manually faxing press releases. "My stress level was through the roof," he says...
Except at the DeLay residence, though, the show has become a D.C. mainstay. Last week when Bradley Whitford, who plays deputy chief of staff Josh Lyman, was having lunch on Capitol Hill with an old friend, half a dozen lobbyists stopped by to drop off business cards and offer ideas for future plot lines that favor their clients. The staff of Michigan Representative John Conyers helpfully sent along 200 pages of material on the issue of paying reparations to black Americans as compensation for slavery--a topic that figured in an earlier episode...
...technical aspects of the performance are brillant. Kudos to technical director Josh Glassman '02 as well as the lightning design of Dave Corlette and Ryan McGee, whose creative use of spotlights and colors are able to create the perfect raving atmosphere. The creativity, enthusiasm and hard-work put into this show is evident at every facet. From the VIP entrance to the "club" which is acted out by cast members to the intermission, which is an audience-involved dance break, to the ending complete with glow sticks and a fog machine, the performance is all-encompassing...