Word: joue
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...also generates a great optimism that explains the film's title, joyful knowing. Sequences that reveal their own analysis can be genuinely moving to those progressive people who rejoice in discovering how sounds and images mean. Who want films that will provoke criticism, films in which le sens joue, instead of spectacles to dull their critical faculties...
...Theatre du Vieux Colombier nous a apporte une representation bien vivante. Ce n'est pas Racine tel que l'on acoutume de le voir. Il est joue avec une force, vraiment une ferocite, qui laisse le spectateur lui-meme epuise apres quelques scenes. Mais c'etait une force quelquefois ingouvernable--chez Marguerite Jamois (Agrippine), Hubert Noel (Brittanicus), et Jacques Francois (Neron, un monstre ne peut-etre plutot qu'un monstre naissant); une force pas toujours accordee a la tension si forte des lignes alexandrins eux-memes. Mais dans le role de Narcisse, Raymond Gerome a ete merveilleux, une belle anguille...
...Force he was a lieutenant-colonel and commanded the base hospital known as the Boston City Hospital Unit in the medical corps. He returned to this country in January, 1919, and shortly afterwards was cited by General Persh1ing "for exceptionally meritorious and conspicuous service at Base Hospital No. 7, Joue-les-Tours, France...
...second performance of "Le Pedant Joue" was given Saturday evening in Brattle Hall before an appreciative audience. As on Thursday evening, the most successful part of the performance proved to be the ballets. F. W. Morrison '00, as the stupid peasant, was again very pleasing. The third performance will be held in Copley Hall, Boston, this evening at 8 o'clock. The final performance will take place tomorrow evening at the same hour and place...
...first performance of "Le Pedant Joue" was given last night in Brattle Hall. Considerable credit is due H. B. Stanton '00 and his assistants who have taken a crude, old fashioned play, cut it down, and remodelled it into something fit for the modern stage. But more remodelling and curtailing might have further improved the performance. Throughout the first and second acts there was a tedious succession of long monologues and one-sided conversations in which the speakers, as a rule, overacted their parts. Meanwhile the rest of the cast stood inactive and apparently inattentive...