Word: jour
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Dates: during 1970-1979
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Much of Tristana's success lies in the director's scrupulous ambition. Once he was satisfied with the village atheism of Nazarin or the facile eroticism of Belle de Jour. In his 29th film, he is content with nothing less than the face of Spain. Don Lope's backchat with his comrades is an indelible vignette of the inhuman condition, where the aging pick the reputations of their fallen comrades, like buzzards wheeling over cadavers. In the background hover the symbolic figures of deaf-mutes, youths whose voices, like many Spaniards', cannot be heard. Yet Tristana...
...have always been amused to overhear conversations about "the way the CRIMSON has changed." In the standard decline-of-CRIMSON theories, the students who ran the paper four or five years ago were dedicated but cheery young men, who always ?? standards of good taste and objective jour? ?? passing whims or pressures. But as ?? moved on it was replaced by a new kind ?? journalist. The distinguishing marks ?? ?comers were their fascination with radi? ??d their inability to keep any of it out ?? stories and editorials...