Word: journalist
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Dates: during 2010-2019
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Miller tangles with Washington's man in charge, Clark Poundstone (Greg Kinnear); gets mixed signals from Lawrie Dayne (Amy Ryan), a journalist who fed her readers government misinformation about WMD; and finds an ally in Martin Brown (Brendan Gleeson), a grizzled old CIA hand. He also gets help from a reluctant Iraqi informant named Freddy (Khalid Abdalla, playing the film's richest character) in pursuing an elusive Saddamist general, al-Rawi (Igal Naor), who may hold the secret to the mystery. The viewer is free to infer that Poundstone is L. Paul Bremer, head of the Coalition Provisional Authority...
...journalist Mary Raftery's documentary film States of Fear was broadcast on Irish television. The film brought to public attention for the first time the systemic nature of abuse at Catholic institutions in the past. Since then, Raftery has campaigned for an investigation into child abuse to be held in every Catholic diocese in Ireland...
...from Gaza's internal crises and has warned of foreign-terrorist infiltration via the tunnels. Asked about a recent protest outside a state security center by several dozen Bedouin women who were demanding trials or release for their loved ones, the governor only chuckled and said, "You are a journalist or you are from the human rights [organizations]?" (See "Egypt's New Challenge: Sinai's Restive Bedouins...
...movie, helmed by Danish TV director Niels Arden Oplev, is a much-streamlined version of Larsson's book. (It's also the first of a franchise; cinematic adaptations of Larsson's two sequels were also released in Europe last year.) The basics are there: a disgraced journalist named Mikael Blomkvist (played just right by Swedish star Michael Nyqvist) is hired by an elderly industrialist, Henrik Vanger (Sven-Bertil Taube), to investigate the disappearance of his 16-year old niece Harriet 40 years ago on a remote island. Henrik believes Harriet was killed by a member of her large and thoroughly...
...read the book, you can't help comparing and contrasting both versions constantly. Oplev's movie whisks key characters right out of the plot, either by death or omission. Much of the journalistic intrigue is gone (sadly, since presumably this was an element precious to Larsson, who like Blomkvist was a financial journalist before his death in 2004.) The changes may jar those viewers well-versed in Larsson's work, but because of them Oplev is able to tease more thrills out of the material than they might expect. Blomkvist twice stumbles unwittingly into suspenseful situations involving spooky houses...