Word: journey
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Dates: during 1990-1999
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...title track, with its punky-paced, unrestrained musical journey in Hanley's car, again highlights Polce and emphasizes the talented band members--Greg McKenna and Michael Eisenstein on guitar and Scott Riebling on bass--and guest organist Jed Parish. With an attractive female lead, the men sometimes get pushed to the background, but they are essential in completing the perfect pop rock sound of Letters To Cleo, especially on a song like "GO!". With Hanley's ecstatic voice, the band's instruments wailing with heed to precise dynamics and a circuslike organ bopping along to the automobile antics, the song...
...Birth of the Cool behind him, Miles was looking in a new direction. Reciprocating the admiration shown for him by such popular artists as Jimi Hendrix and Sly and the Family Stone, Miles pushed his band into new, totally uncharted territory. To some degree, the map of the journey was set by Bitches Brew, Miles' controversial electric jazz album. But Miles was moving even further, with a new lineup, a new sound and a new vision...
Dark Magus, from 1974, serves as the culmination of the journey documented by these albums. By this time, the wall of sound Miles employs has grown to such an extent that it has become something new entirely. With three guitars, Miles playing organ and a relentless rhythm section, Dark Magus becomes a sea of sound--a dense, nearly opaque collage of crashing rhythms, slamming funk and inspired, wild soloing. Unlike Philharmonic Hall, where the soloists largely stayed in the vein of the steady funk of the band, the soloists in Dark Magus can barely be contained. As horn player Dave...
...maybe get a little bit closer to what he was always looking for. Bobby Previte writes in the liner notes to Philharmonic Hall that "The sense that it's impossible for us, and no one with any feel would want it any other way." For Miles, it was the journey that mattered. As these albums testify, during the early '70s Miles was taking giant steps indeed. He was, once again, miles ahead...
...story follows the adventures of one Heinrich Harrer (Pitt), an Austrian mountain climber whose mountaineering expedition eventually takes him to the holy Tibetan city of Lhasa. The journey marks an emotional awakening for Harrer, one that culminates in his befriending the Dalai Lama, whose friendship and spiritual guidance emboldens him to return to and face tangled domestic issues at home. The relative lack of compelling ideas and characters to identify with before this enlightenment--basically, during Harrer's journey to Tibet--acts as a foil for the movie's latter, more fulfilling half...