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...show at Tate Modern on London's South Bank, "Time Zones: Recent Film and Video" (through Jan. 2.), draws from the best international artists, all exploring the concept of time. In Untitled (Bangkok), Serb Bojan Sarcevic walks the alleys of the Thai capital, showing that the journey, not the arrival, matters. In Indonesia-born Fiona Tan's Rain, two blue plastic buckets never quite get filled by a monsoon. It's a symbol of futility, like emptying the sea with a cup, yet a soothing, contemplative one. Equally calm but with a sinister undertone is Albanian Anri Sala's Blindfold...

Author: /time Magazine | Title: Screen Gems | 12/12/2004 | See Source »

...life in 1951 as he embarks with his compatriot, Alberto Granado (Rodrigo de la Serna) on his travels—powered, initially, by the namesake motorcycle, of course—bound for the southern tip of South America. He is a far more accessible figure, and his journey radiates a certain lost-soul aura to which even a hardened capitalist could relate...

Author: NO WRITER ATTRIBUTED | Title: Happening | 12/10/2004 | See Source »

...there, however, he discovers a soulful and mischievous genie in a bottle (La’Tarsha Long on Dec.15 and 19 and Anita Murrell on Dec. 16-18, both students at the Longy School of Music). From there he’s taken on a wild and whimsical musical journey...

Author: By Eric L. Fritz, CONTRIBUTING WRITER | Title: Students Unbottle ‘Genie’ on Cabot Stage | 12/10/2004 | See Source »

This was the first year I haven’t taken advantage of that enviable proximity. Freshman year, I took the traffic-laden journey down I-95 practically once a month. Last year, much the same was true. Despite the work, the stress and the misery of the long, cramped rides, the lure of home—with its promises of friends and family, shopping and coffee shops open past 10 p.m.—were always enough to get me down to Chinatown (or South Station, after I finally gave up on the madhouse) and onto...

Author: By Laura L. Krug, CRIMSON STAFF WRITER | Title: I Heart NYC | 12/9/2004 | See Source »

...Shot over five years with a large-format camera, Soth's work depicts a journey that progresses from the snow-covered northern reaches of the Mississippi to the squalor of the Delta. But Sleeping by the Mississippi is less about the river than the spirit of wandering. This is classic American road-trip photography that captures the tender frailties of ordinary people living ordinary lives. Selections from the exhibition will move to the Minneapolis Institute of Arts next March, joining some of Soth's other recent work. Wherever you can see them, his photos are not to be missed...

Author: /time Magazine | Title: Diversions | 12/6/2004 | See Source »

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