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Last April, when Manhattan's Metropolitan Museum of Art gave a black-tie party to celebrate the opening of its "Three Centuries of American Painting" exhibition, Edie and Andy stood cheek by jowl with Lady Bird Johnson, Mrs. Vincent Astor and Harry Guggenheim. Andy was wearing yellow sunglasses and a ragged tuxedo jacket over paint-splattered black work pants. Edie had dyed her hair silver (to match Andy's), wore lilac pajamas that covered nothing but a body stocking. Since then, they have gone to more parties than a caterer, sometimes staying for just a moment before moving...

Author: /time Magazine | Title: Society: Edie & Andy | 8/27/1965 | See Source »

...India's great metropolises. Each of the country's major cities-Bombay, Calcutta, New Delhi and Madras-has its own similarities and its own distinctions. Calcutta and Bombay are linked in their visual splendor and their vicious slums; wealth and poverty exist cool cheek by grizzled jowl. Madras, with its burgeoning Hindu evangelism (backed by Shastri's strongman, Congress Party President Kumaraswami Kamaraj), is less metropolitan but more leisurely. Where Bombay is sparked by its Parsi businessmen (descended from 8th century Persian fire worshipers), Madras is tempered by Tamil intellectualism. New Delhi-founded...

Author: /time Magazine | Title: India: Pride & Reality | 8/13/1965 | See Source »

...built a dam of rather flimsy concrete supplied by unscrupulous partners. On an offshore island, the first victim is soon shelling out 40 million francs for rights to a sandy beach he already owns. Then, in sunny Nice, Partner No. 2 (Gert Frobe, the Goldfinger of Goldfinger) finds himself jowl-deep in violence, sham infidelity, fixed races and drugged thoroughbreds ostensibly doctored by Belmondo, posing as a German veterinarian who possesses "Inca secrets from plants in Peru." The sucker is soon poorer by 60 million...

Author: /time Magazine | Title: Cinema: Sure-Footed Fleecing | 1/29/1965 | See Source »

SPAIN has the most satisfying pavilion of all: a well-wrought building where cool, shadowy interiors lead to bright, fountained courtyards, an art gallery where Goya and Velásquez hang cheek by jowl with Miró and Picasso. With a stageful of vibrant flamenco gypsies and a choice of fine restaurants touting "eels from the River Tagus" and "mushrooms from the caves of Segovia," Spain outclasses most other foreign and state pavilions, many of which offer nothing more remarkable than displays of consumer goods and models of jute mills...

Author: /time Magazine | Title: The New York Fair: Sep. 25, 1964 | 9/25/1964 | See Source »

SPAIN has the most satisfying pavilion of all: a well-wrought building where cool, shadowy interiors lead to bright, fountained courtyards, an art gallery where Goya and Velázquez hang cheek by jowl with Miró and Picasso. With a stageful of vibrant flamenco gypsies and a choice of fine restaurants touting "eels from the River Tagus" and "mushrooms from the caves of Segovia," Spain outclasses most other foreign and state pavilions, many of which offer nothing more remarkable than displays of consumer goods and models of jute mills...

Author: /time Magazine | Title: The New York Fair: PAVILIONS | 9/11/1964 | See Source »

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