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Word: joy (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...magazine, like those in the New Yorker, are aimed at "the seeker after excellence," and appeal to the reader's worst instincts--snobbery, exclusivity, and delight in sheer expense. It is doubtful that any but the pretentious rich would jump for joy the way a male model does in one ad--over nine pairs of new shoes in a full page spread. And there are the ubiquitous pictures of a Calvin Klein damsel in satiny "at-home" clothes or a Matisse-like line drawing publicizing Yves St. Laurent's stylish scraps...

Author: By Diana R. Laing, | Title: Trash | 9/27/1977 | See Source »

...There is joy behind the bitching and cursing, a kind of pride that comes from enduring shared hardships. Only someone who's been through it and then must sit on the sidelines, unable to play, can fully realize this...

Author: By Bob Baggott, | Title: The Bitter With the Sweet | 9/23/1977 | See Source »

Page's direction undermines more than the story. As the heroine Debby, Kathleen Quinlan conveys the fear, isolation, anger and occasional joy of the schizophrenic convincingly, but Page's failure to do more than superficially explain why she feels these emotions makes it difficult to empathize with what could have been a superlative job of acting. Page's attempt to depict Debby's fantasy world, to which she retreats from an unpleasant reality, further emphasizes his direction's shallowness. Green described a world complete with a separate language and gods who alternately seduce and torment Debby; but such a world...

Author: By Anna Clark, | Title: Wilted Roses | 9/21/1977 | See Source »

...film is supposed to leave us dewyeyed with joy when, finally free from her gods, Debby frolics barefoot on the grass. This superficial happy ending--a far cry from Green's more ambiguous closing--epitomizes the film's shallowness and belies the realism of the book's title. With its failure to provide any understanding of insanity. I Never Promised You a Rose Garden ends up doing little more than exploiting the bizarre behaviour of psychosis for the thrill, with a sensationalism the novel's deeper treatment avoided...

Author: By Anna Clark, | Title: Wilted Roses | 9/21/1977 | See Source »

...human language. "Are You With Me" is a beautiful blues number, a duet for voice and piano about committment in love. The most exciting song is "The Dance," a rousing gypsy song that slides back and forth from an intellectual consideration of an existential decision to the simply joy of experiencing the alternatives through stillness and movement: "If the choice is to sit in the sand or dance, why not dance...

Author: By Steven A. Wasserman, | Title: Charming Cantata | 9/19/1977 | See Source »

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